Our weekly Foreign Language Film Oscar race analysis pieces are back! For the next eight weeks, we will be taking… Read More
Nadine Labaki With CAPERNAUM, Nadine Labaki has captured the hearts of audiences across the globe. From Cannes (where the film… Read More
SHOPLIFTERS, from Hirokazu Kore-eda (courtesy Cannes Film Festival) SHOPLIFTERS is Hirokazu Kore-eda’s best film to date, and one of the… Read More
[divider style="normal" top="20" bottom="20"] Gaya Jiji’s directorial debut MY FAVORITE FABRIC is an undercooked, lacking melodrama that takes points for… Read More
One of the most commercial and straightforward films of his career, Jia Zhang-ke’s ASH IS PUREST WHITE is accessible but… Read More
Survival films can go either way: they can be engaging viewing experiences that expand their scope beyond their basic premise… Read More
Joanna Kulig in Pawel Pawlikowski’s COLD WAR (courtesy Cannes Film Festival) Pawel Pawlikowski’s COLD WAR is one of those films… Read More
LETO, directed by Kirill Serebrennikov (courtesy Cannes Film Festival) Kirill Serebrennikov’s LETO is a tribute to music, dreams of youth… Read More
[divider style="normal" top="20" bottom="20"] Rarely do debut features play in competition at Cannes. In fact, of the debut features that… Read More
In his follow-up to the Oscar-nominated EMBRACE OF THE SERPENT, Colombian director Ciro Guerra teams up with director Cristina Gallego to… Read More
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