Films like Perfect Days are rare to come by. Rather than opting for a clear-cut narrative with dramatic twists and turns, this is a quiet,... Read More
Mina Takla
Mina Takla is a foreign correspondent for AwardsWatch and the co-founder of The Syndicate, an online news agency that offers original content services to several film brands including Empire Magazine’s Middle East edition and the Dubai Film Festival. Takla has attended, covered and written for multiple film festivals online including the Dubai International Film Festival, Abu Dhabi Film Festival, Cannes, Venice, Berlin and Annecy Film Festivals. He has been following the Oscar race since 2000 with accurate, office-pool winning predictions year after year. He writes monthly in Empire Arabia, the Arabic version of the world’s top cinema magazine and conducts press junkets with Hollywood stars in the UK and the US. He holds a Master’s degree in Strategic Marketing from Australia’s Wollongong University and is currently based in Dubai, UAE.
A few years after Saudi cinema made a splash with Haifa Al Mansour’s Wadjda and the Perfect Candidate, the Kingdom witnessed a major overhaul with... Read More
The shooting of Malaysia Airlines Flight 17 and the Russian-Ukrainian conflict at Donbas are both central to Maryna Er Gorbach’s powerful feature Klondike – but... Read More
One of the most anticipated films at this year’s Toronto International Film Festival, Rian Johnson’s Glass Onion: A Knives Out Mystery arrives three years after... Read More
One of the most anticipated feature debuts at this year’s Toronto International Film Festival, Basil Khalil’s A Gaza Weekend is the filmmaker’s follow-up to his... Read More
In his most personal film to date, one that will certainly delight cinephiles as well as mainstream audiences who love his work, Steven Spielberg’s The... Read More
Japan’s official submission for this year’s Academy Awards in the International Feature Film category, Chie Hayakawa’s Plan 75 is an emotionally dense, harrowing look at... Read More
There are films that linger with you after the lights go back on. You keep thinking about them, their characters never leaving your thoughts, as... Read More
Certainly one of the year’s standout films, Jerzy Skolimowski’s EO is almost silent but says quite a lot about humanity, or lack thereof, showing us... Read More
To create cinema, to tell a story, to perform in a film…these are all seemingly enjoyable yet inherently painful and arduous, simply because as a... Read More