One of the best films of the 2021 Toronto International Film Festival, Pablo Larraín’s Spencer is a perfect example of how imagined fables within the... Read More
Mina Takla
Mina Takla is a foreign correspondent for AwardsWatch and the co-founder of The Syndicate, an online news agency that offers original content services to several film brands including Empire Magazine’s Middle East edition and the Dubai Film Festival. Takla has attended, covered and written for multiple film festivals online including the Dubai International Film Festival, Abu Dhabi Film Festival, Cannes, Venice, Berlin and Annecy Film Festivals. He has been following the Oscar race since 2000 with accurate, office-pool winning predictions year after year. He writes monthly in Empire Arabia, the Arabic version of the world’s top cinema magazine and conducts press junkets with Hollywood stars in the UK and the US. He holds a Master’s degree in Strategic Marketing from Australia’s Wollongong University and is currently based in Dubai, UAE.
Despite glaring pacing issues, Darin J. Sallam’s debut feature, Farha, manages to leave a strong impression. After a clunky first 30 minutes, the film finds... Read More
Undoubtedly his most personal film to date, Kenneth Branagh’s Belfast is a quietly moving and universally resonating film about the roots that connect us, the... Read More
A wonderful showcase for the incredible talent of Jessica Chastain, The Eyes of Tammy Faye looks at opportunism and exploitation in the flashy, and often... Read More
One of the year’s most striking films, marked by daring originality and a singular directorial vision, Ahed’s Knee is unlike any other film you’ll see... Read More
A remake of the Oscar-shortlisted Danish film of the same name, The Guilty attempts to recreate the original’s sense of suspense and dread and partly... Read More
Quietly ruminating on what brings us together as humans, especially our need to connect as we navigate the harshness, and likely loneliness, of being alive.... Read More
An interesting exploration of what it’s like to be a woman in modern-day Chad, Mahamat-Saleh Haroun’s latest and much anticipated film, Lingui, The Sacred Bond,... Read More
A commercial horror flick rather than an attempt to address deeper issues, Edgar Wright’s Last Night in Soho is an enjoyable, immersive experience with bits... Read More
In The Worst Person in the World, Joachim Trier delivers one of the year’s most introspective films that works both as a character study and... Read More
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