‘April’ Review: A Timely and Terrifying Abortion Story in Eastern Europe | Venice
All over the world, with the rise of the alt-right, attempts are being made at a daily pace restrict the access to abortion. The landmark... Read More
Roberto Ruggio
‘I’m Still Here’ Review: Walter Salles Avoids Manipulation to Tell a Moving Story of Family Trauma in the Face of Political Strife | Venice
When we’re asked what scares us the most, one of the answers we’re probably going to give is “I don’t want anything to happen to... Read More
‘Campo di Battaglia (Battlefield)’ Review: A Great Alessandro Borghi Can’t Find the Cure for a Dull, Underwritten War Drama | Venice
The great historian Eric Hobsbawm called the 20th century “the short twentieth century”, as he believed that this particular century concentrated its main chain of... Read More
‘Kill the Jockey’ Review: Nahuel Pérez Biscayart and Daniel Gimenez Cacho Stun in Gender Fluid Mob Dramedy | Venice
The search for identity has always been a staple subject for cinema. Who are we? What is our place in the world? How are we... Read More
‘lo Capitano’ Review: Garrone’s Migrant Story is Well Intentioned but Ultimately Slight | Venice
“Mom, I have to go. Look where we live, our house is coming down.” These are the words Seydou, the protagonist of Matteo Garrone’s Io... Read More
‘The Caine Mutiny Court-Martial’ Review: William Friedkin’s Final Film is Supported by a Sensational Company of Actors | Venice
It’s not even a month since we lost the great William Friedkin. He made history as one of the leading directors of the ‘New Hollywood’,... Read More
‘The Beast’ Review: Léa Seydoux and George MacKay Cross Space and Time in Bonello’s Genre-Bending Romance | Venice
Bertrand Bonello has proven to be one of France’s most interesting, unconventional and sometimes idiosyncratic directors. He shocked the film world with Nocturama and Saint... Read More
‘El Conde’ Review: Larrain’s Brilliant and Twisted Satire About Fascism Has Bite | Venice
“History repeats itself, first as tragedy, second as farce.” -Karl Marx There’s certainly no more controversial figure in Chile than that of dictator Augusto Pinochet.... Read More
‘Saint Omer’ review: Alice Diop’s affecting story about motherhood is a stunner [A] | Venice Film Festival
It’s November 2013, and in the small town of Berck-sur-mer, in northern France, a 15-month old baby is found dead on a beach. It’s a... Read More
‘The Son’ review: Florian Zeller’s sophomore effort disappoints despite a great Hugh Jackman [C+] | Venice Film Festival
Florian Zeller’s stage trilogy about parent-child relationships and the devastating consequences of mental illness was one of the biggest surprises in the theater world of... Read More
2024 Utah Film Critics Association (UFCA) Nominations 
2024 Black Reel Awards Nominations: ‘Nickel Boys,’ ‘The Piano Lesson’ Lead 
2024 Online Association of Female Film Critics (OAFFC) Nominations 
Interview: ‘Wallace & Gromit: Vengeance Most Fowl’ Directors Nick Park and Merlin Crossingham on Bringing Back Two of Animation’s Most Beloved Characters [VIDEO]