‘The Sun Rises on Us All’ Review: Cai Shangjun’s Latest is Often an Aimless Take on ‘Past Lives’ [C] Venice
The underlying theme of the 2025 Venice Film Festival seems to be the moral and ethical dilemmas faced by human beings: the implications of one’s... Read More
Roberto Ruggio
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A] Venice
Religious dramas are not really my cup of tea, to use a British expression. I’m a big fan of Ingmar Bergman, but I’m not really... Read More
‘Below the Clouds’ Review: Gianfranco Rosi’s Volcano Doc Erupts with Humanity [B+] Venice
Since the start of humanity, mankind has always been fascinated with the concept of time. The notion of past, present, future has often been analyzed... Read More
‘After the Hunt’ Review: Despite a Stellar Julia Roberts, Luca Guadagnino’s Latest is a #MeToo Misfire [C-] Venice
A lot has changed since 2017, when the first accusations against film producer Harvey Weinstein surfaced. One after one, the women who were sexually harassed... Read More
‘La Grazia’ Review: Paolo Sorrentino’s Richly Drawn Political Drama of a Leader Who’s Lost his Purpose is One of His Best Films [A] Venice
If we think about politics in this day and age, our first reaction is probably disgust, disappointment, disillusionment, or outright fear. In a crucial age... Read More
‘April’ Review: A Timely and Terrifying Abortion Story in Eastern Europe | Venice
All over the world, with the rise of the alt-right, attempts are being made at a daily pace restrict the access to abortion. The landmark... Read More
‘I’m Still Here’ Review: Walter Salles Avoids Manipulation to Tell a Moving Story of Family Trauma in the Face of Political Strife | Venice
When we’re asked what scares us the most, one of the answers we’re probably going to give is “I don’t want anything to happen to... Read More
‘Campo di Battaglia (Battlefield)’ Review: A Great Alessandro Borghi Can’t Find the Cure for a Dull, Underwritten War Drama | Venice
The great historian Eric Hobsbawm called the 20th century “the short twentieth century”, as he believed that this particular century concentrated its main chain of... Read More
‘Kill the Jockey’ Review: Nahuel Pérez Biscayart and Daniel Gimenez Cacho Stun in Gender Fluid Mob Dramedy | Venice
The search for identity has always been a staple subject for cinema. Who are we? What is our place in the world? How are we... Read More
‘lo Capitano’ Review: Garrone’s Migrant Story is Well Intentioned but Ultimately Slight | Venice
“Mom, I have to go. Look where we live, our house is coming down.” These are the words Seydou, the protagonist of Matteo Garrone’s Io... Read More
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists 
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards 
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award 
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10