‘The Blair Witch Project’ at 25: The Birth of Found Footage and the Price of Naive Ambition
Found footage is the cinematic equivalent of an urban legend or a story that campers tell around the fire. Intentionally poor production choices are part... Read More
Sarah Vincent
‘Janet Planet’ Review: Annie Baker’s Mother-Daughter Dramedy Strikes the Perfect Balance of Humor and Melancholy
Shot in Amherst, Massachusetts, Janet Planet (2023) focuses on eleven-year-old Lacy (Zoe Ziegler) and her mother, Janet (Emmy winner Julianne Nicholson of Mare of Eastown,... Read More
The Enduring Horror of ‘Alien’ on its 45th Anniversary [Retrospective]
Forty-five years after Ridley Scott directed, and Dan O’Bannon and Ronald Schusett wrote Alien, it is still terrifying. With Escape from Alcatraz trailing close behind,... Read More
‘Boy Kills World’ Review: An Often Hilarious, Weirdly Heartwarming, Violent Dystopia Void of Ideology
Boy Kills World (2024) occurs in an authoritarian dystopian region that the Van Der Koy family rules with an iron fist. The Boy (Bill Skarsgård... Read More
‘The First Omen’ Review: Atmospheric Prequel Makes Damien’s Mama Meaningful
The First Omen is a prequel to The Omen franchise, which revolves around the rise of the Antichrist and the futile efforts to stop it.... Read More
Catwoman in Film: Changing Attitudes About Raging Women Clawing Their Way to the Top
To celebrate Women’s History Month, this article is the last of three AwardsWatch pieces that focus on the theme of women in film. On April... Read More
Canary in the Coal Mine: Films That Highlight How Communities Gaslight Women
“gaslight. vb. to manipulate another person into doubting their perceptions, experiences or understanding of events. The term once referred to manipulation so extreme as to... Read More
History Makers: What to Look for from Women Filmmakers in 2024
To celebrate Women’s History Month, this article is the first of three AwardsWatch articles that focus on the theme of women in film. Even though... Read More
‘The Taste of Things’ Review: Lovers Simmer in the Kitchen in this French Foodie Fantasy
The Taste of Things was France’s submission to the 2024 Oscars’ Best International Feature Film category. Set in 1885, Eugénie (Juliette Binoche), an artist in... Read More
‘The Book of Clarence’ Review: Jaymes Samuel’s Personal Jesus Needs to Separate the Wheat from the Chaff
The Book of Clarence is British writer and director Jaymes Samuel’s third feature film and first departure from Westerns after 2013’s They Die By Dawn... Read More
2024 Emmys: Christopher Lloyd (‘Hacks’) Could Become the Oldest Comedy Guest Actor Winner Ever 
2025 Oscar Predictions: BEST ACTRESS (July) 
Director Watch Podcast Ep. 56 – ‘Domino’ (Tony Scott, 2005) with guest Brian Tallerico of RogerEbert.com 
2024 Toronto International Film Festival: Coralie Fargeat’s ‘The Substance’ to Open Midnight Madness
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