‘Spaceman’ Review: Adam Sandler and Carey Mulligan Are the Star-Crossed Lovers We Didn’t Know We Needed | Berlinale 2024
More than just another film about an astronaut, Spaceman is here to give a new meaning to the phrase star-crossed lovers. Swedish director Johan Renck... Read More
Savina Petkova
‘Love Lies Bleeding’ Review: Kristen Stewart and Katy O’Brian Will Set Your World on Fire in Rose Glass’ Psychosexual Revenge Thriller | Berlinale 2024
All of you Saint Maud apologists, rejoice, for British rising star Rose Glass is back. Nothing screams comeback louder than a queer romance thriller where... Read More
‘Priscilla’ Review: Cailee Spaeny is Pitch-Perfect in Sofia Coppola’s Demythologized Look at the Presleys | Venice
Sofia Coppola is back on the Lido once again for the first time since she presented Somewhere in 2010. One of the most anticipated titles... Read More
‘Maestro’ Review: Bradley Cooper’s Sophomore Film Hits All the Right Notes | Venice
Yet another complex relationship takes center stage in Bradley Cooper’s follow-up to A Star Is Born. The actor-director premiered his sophomore feature in Venice’s Official... Read More
‘The Promised Land’ Review: Mads Mikkelsen is Fierce and Stoic in Nikolaj Arcel New Nordic Western | Venice
The year is 1755, the place—Jutland peninsula which begins in Denmark and ends in Germany, the man—captain Ludvig Kahlen (Mads Mikkelsen). In what seems like... Read More
‘Anatomy of a Fall’ review: Justine Triet’s courtroom drama features an impeccable performance from Sandra Hüller at the helm | Cannes
With what is only her fourth feature film, French filmmaker Justine Triet has made a strong call for award recognition. After her 2019 Cannes Main... Read More
‘La Chimera’ review: Alice Rohwacher’s most accomplished work to date digs into life, love, and grave-robbing | Cannes
The concept of a chimera, however colloquialized, still remains a bit too abstract to pin down. If one approaches Alice Rohrwacher’s fourth feature, La Chimera,... Read More
‘The Pot Au Feu’ review: Trần Anh Hùng offers a feast for the eyes but is missing a key ingredient | Cannes
Have you ever cried when you tasted something for the first time? In The Pot Au Feu, the most mouth-watering edition to this year’s Cannes... Read More
‘Fallen Leaves’ review: Love wins in Aki Kaurismäki’s tender tragicomedy of the working class that finds him at his romantic best | Cannes
A title as poetic as Fallen Leaves entirely suits the fourth installment of Finnish filmmaker Aki Kaurismäki’s working-class series, which began with Shadows in Paradise,... Read More
‘The Zone of Interest’ review: Jonathan Glazer’s Auschwitz-set drama is monumental in its representation of the seen and unseen horror of the Holocaust | Cannes
Exactly ten years after the singular sci-fi achievement that was Under the Skin, writer-director Jonathan Glazer is back in Cannes’ Main Competition with a new,... Read More
FINAL Frontrunner Friday Oscar Predictions of the 2025/2026 Season 
FINAL 2026 Oscar Predictions: BEST PICTURE and BEST DIRECTOR 
‘I Love Boosters’ Review: Boots Riley’s Dressed to Excess Cartoon Revolution is Too Much and Not Enough [B-] SXSW 
‘Margo’s Got Money Troubles’ Season One Review: Elle Fanning and Michelle Pfeiffer Momedy Hits the Mark [B+]