Nia DaCosta’s fun, feminist Ibsen reimagining, Hedda, opens with a quote from another playwright. Instead of referencing Ibsen himself or another literary staple of the... Read More
Sophia Ciminello
Sophia is a lifelong film enthusiast who considers herself a scholar of Best Actress winners, the films of Paul Thomas Anderson, and 1970s cinema. She hosts and produces the podcast "Oscar Wild," where she celebrates her love of cinema with retrospectives, deep dives on all 23 Oscar categories, and interviews with directors and creatives. She thanks her mother for her love of Old Hollywood and her father for letting her stay up late to watch the Oscars when she was in preschool. Her favorite Best Picture winners are All About Eve and Ordinary People. You can follow her on Twitter @sophia_cim.
“All that lives must die,/Passing through nature to eternity.” -Hamlet Act One, Scene 2 Early in Chloé Zhao’s staggering Shakespearean fairytale, Hamnet, Agnes (Jessie Buckley)... Read More
Celine Song begins her lovely sophomore feature, Materialists, with a bit of a surprising artistic gamble. We’re surrounded by mountains in nature, and it’s oh... Read More
In my final set of reviews from the 78th Cannes Film Festival, we’re taking a look at five films from three of the Festival’s sidebar... Read More
Are you a Carrie, a Miranda, a Samantha, or a Charlotte? Sex and the City first aired almost thirty years ago, and yet, find a... Read More
Early in Kelly Reichardt’s new anti-heist film, The Mastermind, J.B. Mooney (Josh O’Connor) stops in front of a security guard on his way out of... Read More
Growing up in an old house means getting used to its little idiosyncrasies, just as you would with any other family member. It’s the one... Read More
Early in Mascha Schilinski’s sophomore feature, Sound of Falling, Alma (Hanna Heckt) and her sisters play a prank on one of the maids. They know... Read More
The official selection of the 78th Cannes Film Festival was revealed today, featuring an exciting slate of Festival newcomers and mainstays. In a reprise of... Read More
Early in Black Bag, Steven Soderbergh’s taut new espionage thriller doubling as a domestic and workplace romance, intelligence officer George Woodhouse (Michael Fassbender) finds a... Read More

‘Hedda’ Review: Tessa Thompson Seduces and Destroys in Nia DaCosta’s Sexy, Stylish Spin on a Classic [B+] TIFF
‘Hamnet’ Review: Jessie Buckley and Paul Mescal Will Break Your Heart in Chloé Zhao’s Timeless Tale of Profound Loss and Boundless Love [A] Telluride
‘Materialists’ Review: Love is Worth the Investment in Celine Song’s Refreshingly Modern Romance [B+]
2025 Cannes Film Festival Reviews: ‘Eleanor the Great,’ ‘Miroirs No. 3,’ ‘A Pale View of Hills,’ ‘The Richest Woman in the World,’ and ‘Vie Privée’
‘And Just Like That…’ Season 3 Review: Sarah Jessica Parker Shines, but this ‘Sex and the City’ Spinoff Keeps Getting Carried Away [C+]
‘The Mastermind’ Review: Josh O’Connor is Caught Stealing in Kelly Reichardt’s Vietnam Era Portrait of an Art Thief [A-] Cannes
‘Sentimental Value’ Review: Joachim Trier Constructs a Searing, Tender Family Drama [A] Cannes
‘Sound of Falling’ Review: What It Feels Like For a Girl [A-] Cannes
2025 Cannes Film Festival Lineup: New Films From Wes Anderson, Julia Ducournau, Joachim Trier, Double Josh O’Connor In Competition
‘Black Bag’ Review: Sex, Spies, and Videotape [B+]
DiscussingFilm’s Global Film Critics Awards Nominations: ‘Sinners’ Leads with 20
Pittsburgh Film Critics Association (PFCC) Winners: 9 Wins for ‘Sinners’
Critics Association of Central Florida (CACF) Awards: ‘Sinners’ Wins 7
Director Watch Podcast Ep. 134 – ‘Dick Tracy’ (Warren Beatty, 1990)