Cannes Podcast #1: Festival preview with guest Aaron Locke
In this very first AwardsWatch Cannes Podcast, I am joined by Aaron Locke, who will be attending the festival for the first time. This will be my third but first as press under my own moniker. We both of a slew of films we’re looking forward to and why.
A truly international festival, Aaron and I chat about the new Lee Chang-Dong (Burning), Kore-eda (Shoplifters) and Knife + Heart from Yann Gonzalez. On the American side, two films are represented – Spike Lee’s BlacKkKlansman with John David Washington, Adam Driver and a very buzzed about Topher Grace and Under the Silver Lake from David Robert Mitchell starring Andrew Garfield, Riley Keough and again, Topher Grace.
We also talk the interesting choice of Cannes and Oscar winner Asghar Farhadi’s Everybody Knows as the the festival opener and about potential controversies with the new Lars von Trier (The House That Jack Built) and Terry Gilliam (The Man Who Killed Don Quixote) in the age of #MeToo. Both films, and their directors, are likely to be under tremendous scrutiny this year, especially during the press conferences.
This is a brisk podcast, coming in at just over 45m with music. Keep your ears open for a mid-festival podcast too.
Opening music: Cannes Film Festival opening theme
Closing music: “New York City By Day” by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan
iTunes
Permalink
Direct Download
YouTube
- 2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON - May 23, 2026
- Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize - May 22, 2026
- ‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes - May 21, 2026

AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes