Things aren’t what they seem in the trailer for Bong Joon Ho’s ‘Parasite’
Bong Joon Ho (The Host, Mother) brings his singular mastery home to Korea in this…
Cannes
Willem Dafoe and Robert Pattinson go a little mad in first trailer for ‘The Lighthouse’
From Robert Eggers, director of The Witch, comes a murky sea tale starring three-time Academy…
Interview: Cannes winner Ladj Ly, director of ‘Les Misérables’
“We have the impression that the politicians don’t care. […] If you really want to…
Cannes Review: ‘Portrait of a Lady on Fire’ is passionate, unconventional queer cinema
Céline Sciamma’s Portrait of a Lady on Fire, the romance drama set in 18th-century French…
Netflix acquires Cannes winners ‘Atlantique,’ ‘I Lost My Body’
Hot off their wins at the 2019 Cannes Film Festival, Netflix has snapped up the…
Cannes Review: Elia Suleiman’s ‘It Must Be Heaven,’ is a political and sometimes brilliant meta commentary on Palestine identity
Elia Suleiman’s latest is a dryly comedic essay film on the Palestinian identity In the…
2019 Cannes: ‘Invisible Life of Eurídice,’ ‘The Climb,’ ‘Joan of Arc’ among Un Certain Regard winners
The President and jury of the Un Certain Regard section of the 2019 Cannes Film…
Cannes Review: Marco Bellocchio’s Godfather-esque ‘The Traitor’ struggles with the duality of its style
Marco Bellocchio’s latest features a clash of cinematic styles with mixed results One of Italy’s…
Cannes Review: Michael Angelo Covino’s ‘The Climb’ is pitch-perfect buddy comedy
It’s not without its blemishes, but by combining breakthrough lead performances, accomplished cinematography, hilarious sight…
Cannes Review: ‘The Bears’ Famous Invasion’
Lorenzo Mattotti’s debut animated feature is an animated feast for the eyes In his first…