“Time doesn’t exist, but it controls us anyway.” That hilarious answer to the key question Bob Ferguson can’t remember to receive the rendezvous point is,... Read More
Interviews
When the slate of films premiering in competition at the Cannes Film Festival was revealed last Spring, one still stood out among the rest. In... Read More
It’s hard to believe it’s been 25 years since Almost Famous made Kate Hudson an Academy Award nominee and, well, famous. In that film, Hudson... Read More
Director Joachim Trier and his co-writer, Eskil Vogt, have the kind of collaborative relationship that the characters in their films could sometimes only dream of.... Read More
Paul Mescal and I are sitting in a booth in restaurant at The Parker in Palm Springs. It’s barely a few days into the new... Read More
Recently, when asked about his favorite films of the year, filmmaker Paul Thomas Anderson chose Joachim Trier’s tender family drama, Sentimental Value. When describing the... Read More
Fiona Dourif is feeling a bit more confident on her emergency room agility. After being thrown into medical bootcamp for season one of the Emmy-winning... Read More
There were rumblings of frustration when Peacock announced its spin-off of The Office, mostly raising the question of the necessity of sequel and spin-off series... Read More
When news broke that Josh Safdie was developing Marty Supreme, his solo outing based on the life of table tennis star Marty Reisman, there were... Read More
When I spoke to production designer Jack Fisk in 2023 about his work on Martin Scorsese’s late-career masterpiece, Killers of the Flower Moon, he talked... Read More

How Editor Andy Jurgensen Found the Right Balance of Tone and Momentum for ‘One Battle After Another’ [VIDEO INTERVIEW]
Interview: Mascha Schilinski and Fabian Gamper on Crafting a Memory Piece and Exploring Transgenerational Trauma in ‘Sound of Falling’
Kate Hudson on Honoring Claire Sardina and Going Back to Her Musical Roots in ‘Song Sung Blue’ [VIDEO INTERVIEW]
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry
Interview: Paul Mescal on the Creative Freedom of ‘Hamnet’ and Finding Magic and Love with His Co-Stars
Interview: Inga Ibsdotter Lilleaas on Empathetic Storytelling and the Power of Saying “I Love You” in ‘Sentimental Value’
Interview: Fiona Dourif on Going Back Into ‘The Pitt’ and What’s Next for McKay
Interview: Sabrina Impacciatore on Going From ‘The White Lotus’ to ‘The Paper’ and Digging Into Comedy
Interview: Gwyneth Paltrow on “Boys and Their Toys,” goop, and Returning to the Silver Screen for ‘Marty Supreme’
Interview: Production Designer Jack Fisk on Recreating 1950s New York and Building a Ping Pong Playground in ‘Marty Supreme’
2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers
2026 Tribeca Festival Celebrates 25th Anniversary with World Premieres of ‘Hadestown: The Musical,’ ‘Earth, Wind & Fire’ Doc
Director Watch Podcast Ep. 149 – ‘Killer of Sheep’ (Charles Burnett, 1978)
‘Lee Cronin’s The Mummy’ Review: Careful the Spell You Cast, Children Will Listen (and Sometimes Kill) [C]