2024 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY (May)
I’m kicking off my early 2024 Oscar predictions this season with Adapted Screenplay and Original Screenplay, a full four months earlier than last year. Why?... Read More
Adapted Screenplay
FINAL 2023 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY
The screenplay categories at the Oscars often exist in two worlds; you’re either aligned with the Best Picture winner or be a screenplay that’s either... Read More
FINAL 2023 Oscar Nomination Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY
Is this one of the weakest years in a while for the screenplay categories? When really breaking down the main contenders, looking at the precursors... Read More
2023 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY (December)
With the Golden Globe and Critics’ Choice nominations revealed we have our first taste of screenplay precursors for both adapted and original (as well as... Read More
2023 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY (November)
Animation could have a banner year with Guillermo del Toro’s Pinocchio and Marcel the Shell with Shoes On making their way into the top 10... Read More
2023 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY (October)
Adapted Screenplay remains mostly the same as last month, just moving the pieces around a bit. One thing to think about is that United Artists... Read More
2023 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY (September)
I don’t think I can recall a season as bleak for adapted screenplay contenders as this one, so much so that we actually have to... Read More
FINAL Oscar Predictions: ADAPTED and ORIGINAL SCREENPLAY
The screenplay categories have been a roller coaster that no one could have imagined with precursors for adapted split amongst three films: CODA, The Lost... Read More
2022 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY (February)
While Adapted Screenplay feels pretty tied up (is it?) for The Power of the Dog, the overwhelming critics’ favorite and likely to win the USC... Read More
FINAL 2022 Oscar Nomination Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY
The screenplay categories seem a little more sewn up than usual with one odd exception; since 2003 every year has seen a screenplay nominee being... Read More
Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW] 
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future 
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B] 
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]