Film Reviews

‘All We Imagine as Light’ Review: Payal Kapadia’s Powerful Look at Women’s Lives in an Ever-Changing India | TIFF

The first lighthouse in recorded history was the Pharos of Alexandria, built in 280 BC. It towered upon the shore… Read More

September 8, 2024

‘Nightbitch’ Review: Amy Adams Goes Feral in Marielle Heller’s Neutered Adaptation of Stressed-Out Mom Novel | TIFF

‘Motherhood is a Bitch.’ So says the tagline of the new Marielle Heller (Can You Ever Forgive Me?) film starring… Read More

September 7, 2024

‘Stranger Eyes’ Review: Yeo Siew Hua Rivets with Voyeuristic Missing Child Drama | Venice

Singapore is among the most densely populated cities in the world with almost every street under surveillance by CCTV cameras.… Read More

September 7, 2024

‘Dahomey’ Review: Mati Diop Creates a Mesmerizing Artifact of Time Itself | TIFF

How do you tell a story about the return of something precious? About a homecoming? In Dahomey, which won the… Read More

September 7, 2024

‘William Tell’ Review: A Rousing, Old School Hollywood Epic of a Well-Told Story | TIFF

In case you don’t remember the story of William Tell from your school days, Nick Hamm’s new film about the… Read More

September 7, 2024

‘Dead Talents Society’ (鬼才之道) Review: John Hsu Crafts a Hilarious and Deeply Referential Ghost Story with a Big Heart | TIFF

After the critical and commercial success of Detention, it was only a matter of time before Taiwanese filmmaker John Hsu… Read More

September 7, 2024

‘No Other Land’ Review: Basel Adra’s Palestinian Doc is a Story of Survival and Resilience and Demands Your Attention | TIFF

I have to imagine that one of the most difficult parts of making a documentary is that when real life… Read More

September 7, 2024

‘Horizon: An American Saga – Chapter 2’ Review: I Think We’ve Seen This Film Before and We Still Don’t Have an Ending | Venice

Horizon: An American Saga – Chapter 1 made only $36 million at the box office, prompting Warner Bros. to yank… Read More

September 7, 2024

‘We Live in Time’ Review: Florence Pugh, Andrew Garfield Romantic Drama is Less a Tear-Jerker and More Like a Forced Extraction | TIFF

Life affirming dramas or tear-jerking romcoms should do at least one of those things—affirm life, or make you cry a… Read More

September 6, 2024

2024 Telluride Film Festival Capsule Reviews: ‘Anora,’ ‘September 5,’ ‘The Piano Lesson’

ANORA (dir. Sean Baker, NEON) Mikey Madison is truly an iconic star. As the spunky Ani, an exotic dancer from… Read More

September 6, 2024

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