‘Ella McCay’ Review: James L. Brooks Aims to Mine a Nostalgic Relic but Comes Up With Something Mildly Dated [B-]
Very quickly into its runtime, Ella McCay establishes itself as a fantasy. After the narrator (Julie Kavner) introduces herself with “I’m the narrator” (there’s no... Read More
Film Reviews
‘Marty Supreme’ Review: It’s One Paddle After Another For Timothée Chalamet in Josh Safdie’s Instant New York Classic [A-]
It’s 1952 in New York City, and Marty Mauser (Timothée Chalamet) is stuck on the Lower East Side, fitting a customer for shoes. Being promoted... Read More
‘Wake Up Dead Man’ Review: Rian Johnson’s Latest Puzzlebox Takes Benoit Blanc to Church on an Unholy Whodunit [A-]
The latest whodunit from writer-director Rian Johnson, Wake Up Dead Man, starts with a confession; not one of guilt or sin, but of absolute truth. Written... Read More
‘The Secret Agent’ Review: Kleber Mendonça Filho Returns with a Timely Tale of Brazilian Corruption and Persecution [A-]
One year after over-performing at the Oscars with the sleeper hit I’m Still Here, Brazil is poised to potentially do it again with another film analyzing... Read More
‘Hamnet’ Review: Jessie Buckley and Paul Mescal Will Break Your Heart in Chloé Zhao’s Timeless Tale of Profound Loss and Boundless Love [A]
All that lives must die,/Passing through nature to eternity.” -Hamlet Act One, Scene 2 Early in Chloé Zhao’s staggering Shakespearean fairytale, Hamnet, Agnes (Jessie Buckley) asks... Read More
‘Zootopia 2’ Review: The Fast and the Furriest [B-]
During our precarious social moment in America—where wealth inequality continues to skyrocket, federal police forces are taking to the streets to strip vulnerable people of... Read More
‘Wicked: For Good’ Review: Jon M. Chu Fails to Cast a Spell with Bloated Fan Service-Filled Finale [C-]
Last autumn, Jon M. Chu’s adaptation of “Wicked,” the long-celebrated stage musical based on Gregory Maguire’s novel, became a global phenomenon. Grossing over $750 million... Read More
‘The Running Man’ Review: Edgar Wright Calls Out America’s Wrongs in the Latest and Largely Pointless Stephen King Adaptation [C+]
In a cinema landscape dominated by remakes and adaptations, Edgar Wright’s The Running Man brings to the table a frustratingly rare premise: the movies that... Read More
‘Now You See Me: Now You Don’t’ Review: A Few New Magicians, the Same Old Tricks [D]
I’d say it’s some kind of magic trick that has allowed the Now You See Me movies to have sustained enough of a fandom to... Read More
‘Nuremberg’ Review: James Vanderbilt’s Historical Thriller Looks at When Perpetrators of Systematic Genocide Used to be Brought to Justice [A-]
It’s typical and expected from every year that a handsomely crafted historical drama would come along and remind audiences of a certain part of WWII... Read More
Colman Domingo to Receive Variety Creative Conscience Award at 50th San Francisco International LGBTQ+ Film Festival (Frameline50) 
Interview: Ildikó Enyedi on Working with Tony Leung and Léa Seydoux and Her Triptych Storytelling in ‘Silent Friend’ 
Winners Announced for Golden Gate, Audience Awards of the 69th San Francisco International Film Festival (SFFILM) 
‘Mortal Kombat II’ Review: Our Champions Have Leveled Up for Round Two [B]