‘Fallen Leaves’ review: Love wins in Aki Kaurismäki’s tender tragicomedy of the working class that finds him at his romantic best | Cannes
A title as poetic as Fallen Leaves entirely suits the fourth installment of Finnish filmmaker Aki Kaurismäki’s working-class series, which began with Shadows in Paradise,... Read More
Cannes Film Festival
‘How to Have Sex’ review: Molly Manning Walker’s sensational, high-energy debut an equally urgent cautionary tale of consent | Cannes
If asked to describe How to Have Sex in one word, the answer, however strange, comes easily in the form of a place: an airport.... Read More
‘May December’ review: Natalie Portman and Julianne Moore make a meal out of Todd Haynes’ delicious story of infamy and obsession | Cannes
In 2015, Todd Haynes came to Cannes to premiere Carol that received rave reviews and an instant cult classic treatment. He came back to the... Read More
‘Killers of the Flower Moon’ review: Martin Scorsese’s true American crime story of greed, murder and love may be his most empathetic | Cannes
The biggest event of Cannes this year is the return of Martin Scorsese, 38 years after After Hours. The expectations for Killers of the Flower... Read More
‘The Sweet East’ review: Talia Ryder is exceptional in this satirically nihilistic look at American anarchy | Cannes
The Safdie Brothers’ Good Time cinematographer Sean Price Williams returns to the Cannes Film Festival after last year’s Funny Pages premiere but this time as... Read More
‘The Zone of Interest’ review: Jonathan Glazer’s Auschwitz-set drama is monumental in its representation of the seen and unseen horror of the Holocaust | Cannes
Exactly ten years after the singular sci-fi achievement that was Under the Skin, writer-director Jonathan Glazer is back in Cannes’ Main Competition with a new,... Read More
‘The New Boy’ review: Cate Blanchett and Aswan Reid stun in Warwick Thornton’s spiritually dense Aboriginal fable | Cannes
Australian director Warwick Thornton lets you know from the beginning that the Aboriginal boy (a mesmerizing Aswan Reid), who arrives at a remote monastery, is... Read More
‘Indiana Jones and the Dial of Destiny’ review: Harrison Ford says farewell in this nostalgic, thrilling final chapter | Cannes
Taking the reins from Steven Spielberg is no easy feat, but James Mangold proves that he’s up for the task with this adventurous fifth and... Read More
‘Occupied City’ review: Steve McQueen’s documentary feature debut is an ambitious, if overlong, account of occupied Amsterdam | Cannes
Steve McQueen is back with his first film since Small Axe, part of his extremely ambitious 5-film anthology series. His documentary feature debut Occupied City,... Read More
‘Monster’ review: Hirokazu Kore-eda’s return to Japan is a nuanced morality tale | Cannes
Monster marks the seventh in-competition film at Cannes for Hirokazu Kore-eda, who directed last year’s tender Korean film Broker. Back in his native Japan, Kore-eda... Read More
WATCH: Director Todd Haynes and Julianne Moore Discuss the Work of Natalie Portman in ‘May December’ [VIDEO] 
2023 European Film Academy (EFA) Craft Awards: ‘Anatomy of a Fall,’ ‘The Promised Land,’ ‘Society of the Snow,’ ‘The Zone of Interest’ and More 
Director Watch Podcast Ep. 21 – ‘Punch-Drunk Love’ (Paul Thomas Anderson, 2002) 
2023 New York Film Critics Circle (NYFCC) Winners: ‘Killers of the Flower Moon’ Named Best Film, Charles Melton Wins Again
Share this: