‘Highest 2 Lowest’ Review: Spike Lee Reunites with Denzel Washington and Scores a Smash Hit with His Kurosawa Reinterpretation [B+] Cannes
“It’s a reinterpretation – not a remake!” This is what Spike Lee said back in September 2024 about his latest joint Highest 2 Lowest, inspired... Read More
Cannes Film Festival
‘It Was Just an Accident’ Review: Jafar Panahi Gives Human Answers to Complex Moral Conundrums [B] Cannes
Each new film by Jafar Panahi feels like a blessing, especially since the Iranian filmmaker has been subject to prison, house arrests, travel and work... Read More
‘Resurrection’ Review: Let Bi Gans Be Bi Gans [A] Cannes
Following the unexpected successes, both critical and commercial (in its native China at least), of 2018’s Long Day’s Journey Into Night, Bi Gan returns with... Read More
‘Sentimental Value’ Review: Joachim Trier Constructs a Searing, Tender Family Drama [A] Cannes
Growing up in an old house means getting used to its little idiosyncrasies, just as you would with any other family member. It’s the one... Read More
‘Die My Love’ Review: Jennifer Lawrence is Grace Under Fire in the Best Performance of her Career [A] Cannes
From the opening frame of Lynne Ramsay’s fifth feature film, Die My Love, we see a house in shambles. A once promising place full of... Read More
‘Woman and Child’ Review: Saeed Roustaee’s Iranian Mother Melodrama Finds a Family Torn Part [A-] Cannes
In spite of Iran’s excessively punitive stifling of artistic expression, its filmmakers continue to knock it out of the park even at the risk of... Read More
‘Alpha’ Review: Julia Ducournau’s AIDS Allegory Crumbles Under the Weight of its Repetitive Self-Importance [D-] Cannes
Four years ago, a tidal wave hit cinema with Julia Ducournau’s second feature film, Titane. Winner of the Palme d’Or at the 2021 Cannes Film... Read More
‘Renoir’ Review: Chie Hayakawa’s Gentle Coming of Age Story Gives Way to a Powerful Debut Performance from Yui Suzuki [C+] Cannes
Director Chie Hayakawa’s sophomore feature, after 2022’s Plan 75, sees her pivot from telling a futuristic story about euthanasia to a past-set coming-of-age tale. Renoir... Read More
‘Eddington’ Review: No Country for Men, Women or Children [B+] Cannes
You know that feeling, even in 2025, when you hear someone cough in any environment how it triggers a kneejerk response? It’s impossible to not... Read More
‘The Phoenician Scheme’ Review: Wes Anderson’s Latest Explores the Meaning of Legacy and Features a Superb Breakthrough Performance from Mia Threapleton [A-] Cannes
Wes Anderson’s latest film, The Phoenician Scheme, starts off with a bang. No literally it does, as we find Anatole “Zsa-zsa” Korda (Benicio del Toro),... Read More
Director Watch Podcast Ep. 154 – ‘Insomnia’ (Christopher Nolan, 2002) with Special Guest Christina Jeurling Birro 
‘Teenage Sex and Death at Camp Miasma’ Review: I Saw the Twin Peaks Glow [A-] Cannes 
Interview: Richard Gadd Talks ‘Half Man,’ Finding the Humor in Trauma, and That Hospital Scene with Jaime Bell 
‘Nagi Notes’ Review: Kôji Fukada’s Gentle Examination of Intimate, Small Town Relationships Pays Off for Those with Patience [A-] Cannes