The last day and a half of the 2026 True/False Film Fest saw the massive shift in the weather, from major thunderstorms and rain to... Read More
Film Festivals
The 2026 True/False Film Fest was in full effect yesterday, with the streets of Columbia, Missouri filled with thousands of film enthusiasts ready to partake... Read More
This time last year, I received an email about attending a mid-size film festival showcasing, celebrating the best of domestic and international nonfiction cinema. Though... Read More
A tricky part of experiencing and analyzing any piece of art is separating the worthiness of its intent from the success of its execution. With... Read More
There’s nothing like seeing a star-making performance. Natasha O’Keeffe is a face that will be mostly familiar to those who watch British television, thanks to... Read More
On October 10 of this year, a ceasefire between Hamas and Israel went into effect, ostensibly putting an end to two years of bloodshed, in... Read More
It’s been said that life doesn’t always make sense until examined in retrospect. The idea of waiting until a later point in one’s existence to... Read More
There’s a moment in Hot Milk that looks like a dream: a young woman is floating in the cyan-blue sea under the Spanish sun. It’s... Read More
As we get further and further away from the technology of the past, filmmakers who interacted with it in their childhood are placing it central... Read More
It’s tough for feature-length documentaries to always be on the cutting edge of topicality. The very nature of film production means that most documentaries will... Read More

True/False Film Fest Dispatch #3: ‘Barbara Forever,’ ‘Time and Water,’ ‘American Doctor’
True/False Film Fest Dispatch #2: ‘Phenomena,’ ‘Who Moves America,’ ‘Landscapes of Memory’
2026 True/False Film Fest Dispatch #1: ‘The Oldest Person in the World,’ ‘Broken English’
‘Palestine 36’ Review: Annemarie Jacir’s Drama is a Largely Untold Tale of Early Palestinian Struggle [C+] CIFF
‘Whitetail’ Review: From Nanouk Leopold’s Frustratingly Imbalanced Irish Drama Emerges a Star-Making Performance from Natasha O’Keeffe [C+] CIFF
‘Put Your Soul on Your Hand and Walk’ Review: Palestinian Doc is a Stunning Chronicle of Finding Hope in the Darkest of Realities [A-] CIFF
‘A Little Prayer’ Review: Angus MacLachlan’s Gentle Family Drama Finds Beauty in the Seemingly Unremarkable [B] | Chicago Critics Film Festival
‘Hot Milk’ Review: Emma Mackey Blazes Through Choppy Mother-Daughter Portrait [C] | BFI Flare: London LGBTQIA+ Film Festival
‘The Wise Guy’ Review: VHS Flourishes and Idolisation of 20th Century Gangster Films Elevate Generic Coming-of-Age Story | Belfast Film Festival
‘Separated’ Review: Errol Morris Hasn’t Forgotten Trump’s Immigration Policy Cruelty and Neither Should We | Chicago International Film Festival
FINAL Frontrunner Friday Oscar Predictions of the 2025/2026 Season
FINAL 2026 Oscar Predictions: BEST PICTURE and BEST DIRECTOR
‘I Love Boosters’ Review: Boots Riley’s Dressed to Excess Cartoon Revolution is Too Much and Not Enough [B-] SXSW
‘Margo’s Got Money Troubles’ Season One Review: Elle Fanning and Michelle Pfeiffer Momedy Hits the Mark [B+]