‘Personality Crisis: One Night Only’ review: Martin Scorsese music doc looks at the absurd and the sublime of elusive, forever cool New York Dolls frontman David Johansen | NYFF
Martin Scorsese has a knack for documenting New York institutions and illustrating the inner lives of the city’s singular characters. From the brash young Mafiosi... Read More
New York Film Festival
‘Return to Seoul’ review: Park Ji-Min’s astonishing turn as a magnetic adoptee anchors Davy Chou’s compelling search for meaning | NYFF
Adoption, as a process, has many intricacies, and one of them is the loopholes it leaves open for someone who has been adopted to later... Read More
‘She Said’ review: Maria Schrader goes on the record with an empathetic story of womens’ courage | NYFF
Picture it: it’s 1992 in Ireland, and a young woman in her early twenties walks along the beach only to stumble upon a group of... Read More
‘The Eternal Daughter’ review: Tilda Swinton sees double in Joanna Hogg’s mother-daughter gothic ghost story [A-] | NYFF
Late in Joanna Hogg’s exquisite autobiographical b-side, The Souvenir Part II, our protagonist finds herself wandering through a hall of mirrors. Julie Hart (Honor Swinton... Read More
‘R.M.N.’ review: Cristian Mungiu’s Transylvanian drama reminds us who the real monsters are [B+] | NYFF
In Cristian Mungiu’s drama R.M.N., there is something scary in the woods. Perhaps it is a bear, hungry in midwinter, or perhaps a monster, a... Read More
‘Walk Up’ review: Hong Sang-soo toys with physical framing and structure to find the spaces in between relationships [B+] | NYFF
There is an interesting link between space and the way people behave. Filmmaker Hong Sang-soo uses space and setting to weave a quiet narrative in... Read More
‘Alcarràs’ review: Carla Simón’s family drama is a neorealist classic in the making [A] | NYFF
Each film festival season brings with it at least one title that charms with the charisma of its child actors. Carla Simón’s Alcarràs, which comes... Read More
‘TÁR’ review: Portrait of the Artist on Fire | NYFF [A]
Opening with a “special thanks” immediately preceding a reverse order roll of the end credits may seem like a peculiar choice for any film, let... Read More
‘Till’ review: Danielle Deadwyler is astounding in Chinonye Chukwu’s tribute to a mother’s courage and love [B+] | NYFF
The brutal murder of Emmett Louis Till made headlines around the world 1950s America. People were aware that Black people in the U.S. were being... Read More
‘White Noise’ review: Noah Baumbach creates a new American soundtrack with his ambitious adaptation of Don DeLillo’s iconic novel [B+] | NYFF
When the pandemic hit the U.S., my fear of death oddly became most apparent when I would venture out to the grocery store. Strange, I... Read More
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