‘Priscilla’ Review: Cailee Spaeny is Magnificent in Sofia Coppola’s Intricate Diary of A Lonesome Teenage Girl | NYFF
Tiny toes sporting a fresh pedicure step daintily across a carpet as a harp plays. Garish decor, swans, tchotchkes, and framed records tell us we’re... Read More
New York Film Festival
‘Maestro’ Review: Bradley Cooper’s Upper West Side Story is a Stylish, Marital Melodrama | NYFF
In last year’s conductor-focused, brilliantly layered New York Film Festival selection, TÁR, Todd Field depicts an interaction between maestro Lydia Tár and a possible conquest... Read More
‘The Feeling That the Time for Doing Something Has Passed’ Review: Joanna Arnow’s Eye-Opening Look at Power, Control and Malaise | NYFF
Not every romantic relationship has to be equitable, and there’s no shame in that – unless you’re into that. Joanna Arnow’s directorial debut follows a... Read More
‘The Settlers’ Review: A Searing Examination of Power Dynamics and Land Appropriation in Early 20th Century Chile | NYFF
Tales of expeditions to explore previously unincorporated lands are all too often whitewashed in history as positive roots of a bright young nation, offering an... Read More
‘Foe’ Review: Saoirse Ronan and Paul Mescal Fail to Launch Garth Davis’ Scenes from a Futuristic Marriage | NYFF
It’s 2065 in The Midwest. The climate crisis has ravaged the planet with floods, fires, and a slew of natural disasters. A piece of the... Read More
‘Personality Crisis: One Night Only’ review: Martin Scorsese music doc looks at the absurd and the sublime of elusive, forever cool New York Dolls frontman David Johansen | NYFF
Martin Scorsese has a knack for documenting New York institutions and illustrating the inner lives of the city’s singular characters. From the brash young Mafiosi... Read More
‘Return to Seoul’ review: Park Ji-Min’s astonishing turn as a magnetic adoptee anchors Davy Chou’s compelling search for meaning | NYFF
Adoption, as a process, has many intricacies, and one of them is the loopholes it leaves open for someone who has been adopted to later... Read More
‘She Said’ review: Maria Schrader goes on the record with an empathetic story of womens’ courage | NYFF
Picture it: it’s 1992 in Ireland, and a young woman in her early twenties walks along the beach only to stumble upon a group of... Read More
‘The Eternal Daughter’ review: Tilda Swinton sees double in Joanna Hogg’s mother-daughter gothic ghost story [A-] | NYFF
Late in Joanna Hogg’s exquisite autobiographical b-side, The Souvenir Part II, our protagonist finds herself wandering through a hall of mirrors. Julie Hart (Honor Swinton... Read More
‘R.M.N.’ review: Cristian Mungiu’s Transylvanian drama reminds us who the real monsters are [B+] | NYFF
In Cristian Mungiu’s drama R.M.N., there is something scary in the woods. Perhaps it is a bear, hungry in midwinter, or perhaps a monster, a... Read More
Interview: Cinematographer Darius Khondji on Shooting on Film and Finding the Light and the Darkness of ‘Marty Supreme’ 
Writer/Director Charlie Polinger Tackles Teenage Boy Body Horror in his Debut Feature ‘The Plague’ [VIDEO INTERVIEW] 
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A] 
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW]