Tiny toes sporting a fresh pedicure step daintily across a carpet as a harp plays. Garish decor, swans, tchotchkes, and framed records tell us we’re... Read More
New York Film Festival
In last year’s conductor-focused, brilliantly layered New York Film Festival selection, TÁR, Todd Field depicts an interaction between maestro Lydia Tár and a possible conquest... Read More
Not every romantic relationship has to be equitable, and there’s no shame in that – unless you’re into that. Joanna Arnow’s directorial debut follows a... Read More
Tales of expeditions to explore previously unincorporated lands are all too often whitewashed in history as positive roots of a bright young nation, offering an... Read More
It’s 2065 in The Midwest. The climate crisis has ravaged the planet with floods, fires, and a slew of natural disasters. A piece of the... Read More
Martin Scorsese has a knack for documenting New York institutions and illustrating the inner lives of the city’s singular characters. From the brash young Mafiosi... Read More
Adoption, as a process, has many intricacies, and one of them is the loopholes it leaves open for someone who has been adopted to later... Read More
Picture it: it’s 1992 in Ireland, and a young woman in her early twenties walks along the beach only to stumble upon a group of... Read More
Late in Joanna Hogg’s exquisite autobiographical b-side, The Souvenir Part II, our protagonist finds herself wandering through a hall of mirrors. Julie Hart (Honor Swinton... Read More
In Cristian Mungiu’s drama R.M.N., there is something scary in the woods. Perhaps it is a bear, hungry in midwinter, or perhaps a monster, a... Read More

‘Priscilla’ Review: Cailee Spaeny is Magnificent in Sofia Coppola’s Intricate Diary of A Lonesome Teenage Girl | NYFF
‘Maestro’ Review: Bradley Cooper’s Upper West Side Story is a Stylish, Marital Melodrama | NYFF
‘The Feeling That the Time for Doing Something Has Passed’ Review: Joanna Arnow’s Eye-Opening Look at Power, Control and Malaise | NYFF
‘The Settlers’ Review: A Searing Examination of Power Dynamics and Land Appropriation in Early 20th Century Chile | NYFF
‘Foe’ Review: Saoirse Ronan and Paul Mescal Fail to Launch Garth Davis’ Scenes from a Futuristic Marriage | NYFF
‘Personality Crisis: One Night Only’ review: Martin Scorsese music doc looks at the absurd and the sublime of elusive, forever cool New York Dolls frontman David Johansen | NYFF
‘Return to Seoul’ review: Park Ji-Min’s astonishing turn as a magnetic adoptee anchors Davy Chou’s compelling search for meaning | NYFF
‘She Said’ review: Maria Schrader goes on the record with an empathetic story of womens’ courage | NYFF
‘The Eternal Daughter’ review: Tilda Swinton sees double in Joanna Hogg’s mother-daughter gothic ghost story [A-] | NYFF
‘R.M.N.’ review: Cristian Mungiu’s Transylvanian drama reminds us who the real monsters are [B+] | NYFF
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10