NYFF Review: Middling modernist myth-making in ‘Atarrabi and Mikelats’
French filmmaker Eugène Green, like many directors, has a distinct style. His characters speak directly to the camera. They stand in the center of the... Read More
New York Film Festival
NYFF Review: ‘On the Rocks’ is a subtle reminder of what Sofia Coppola does best
Like most Sofia Coppola films, there are a million little things that build the world of On the Rocks,rather than a neon sign pointing to... Read More
NYFF Review: Steve McQueen’s meditative ‘Red, White and Blue’ features a career-defining performance from John Boyega
Over the past few weeks, Steve McQueen has once again taken the world of filmmaking by storm. Coming into the festival season with an impressive... Read More
NYFF Review: ‘The Woman Who Ran’ cannot escape being defined by men
“Seeing cows makes me so sad,” Gam-hee declares as she pokes at a plate of beef in her friend Young-soon’s apartment. She can handle the... Read More
NYFF Review: Passion and performance shine in Chaitanya Tamhane’s ‘The Disciple’
Children think anything and everything is possible. Kids possess the ability to picture a future in which they are astronauts, professional athletes, presidents, rockstars, and... Read More
NYFF Review: Jia Zhangke takes an unfocused look at Chinese history and literature with ‘Swimming Out Till the Sea Turns Blue’
Jia Zhangke’s firmly established himself as one of China’s most exciting, innovative filmmakers, whether it’s in fiction (as 2018’s meditative Ash is Purest White can... Read More
NYFF Review: Steve McQueen’s ‘Mangrove’ is his most ambitious and exciting work to date
The second Steve McQueen film to premiere at this year’s edition of the New York Film Festival, Mangrove is the first segment of the Small... Read More
NYFF Review: ‘Isabella’ doesn’t sink or swim—it just floats
Filmmaker Matías Piñeiro has added to his Shakespearean-inspired filmography with Isabella, which is as much a meditation on Measure for Measure as it as an... Read More
NYFF Review: A humble pig gets her time in the spotlight in gripping nature doc ‘Gunda’
Victor Kossokofsky loves to prod at the boundaries of what he can do with documentary cinema — 2018’s Aquarela, for instance, asked its audience to... Read More
NYFF Review: ‘MLK/FBI’ charts the complexities of a great man and the government agency that worked tirelessly to take him down
“When you construct someone as a great man, there’s almost nothing more satisfying than revealing the opposite.” This sentence, uttered early by historian Beverly Gage... Read More
AwardsWatch Podcast Ep. 256: Reviewing ‘Anora’ Plus Our Favorite Palme d’Or Winners 
Inaugural San Quentin Film Festival and The Just Trust Aim for Convergence of Justice Reform and the Arts 
‘Sugarcane’ Leads 9th Critics Choice Documentary Awards (CCDA) Nominations 
‘Three Kilometers to the End of the World’ Review: Emanuel Pârvu’s LGBTQ Story is Missing a Queer Path to Authenticity | London Film Festival
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