Werner Herzog’s irreverent stoicism, which seems to get an ounce cheekier every year, does some heavy lifting in a documentary which might otherwise border on... Read More
Film Reviews
Selected as the Opening Film of this year’s Venice International Film Festival’s Orizzonti section, Tereza Nvotová’s Father features an interesting premise, rarely discussed in film,... Read More
If we think about politics in this day and age, our first reaction is probably disgust, disappointment, disillusionment, or outright fear. In a crucial age... Read More
At the opening of Jay Roach’s new film The Roses, with Olivia Colman and Benedict Cumberbatch, the married pair are in therapy, asked to read... Read More
There’s an age-old moviemaking proverb that the new Austin Butler-starring crime thriller Caught Stealing abides by strictly, a sort of promise of destiny that this... Read More
In Honey Don’t!, Margaret Qualley’s Honey O’Donahue is handwashing a small but varied assortment of sex toys after a night of wild pleasure with Aubrey... Read More
Online fandom and fame-hunger have gotten so intense in the last decade or so that it’s a bit surprising there haven’t been more films like... Read More
Four years ago, Bob Odenkirk surprised and delighted audiences with his sort of anti-John Wick action movie, Nobody. That film was a modest success at... Read More
It’s August of 2003. Adrien Brody won an Oscar earlier in the year. Sarah Jessica Parker and Noah Wyle lead two of the hottest shows... Read More
If you had told me, even just a few years ago, that one of the Whitest Kids U Know would be one of the most... Read More

‘Ghost Elephants’ Review: Werner Herzog Adds Characteristic Existential Poignancy to Entertaining Nature Doc [B] Venice
‘Father’ Review: Tereza Nvotová’s Examination of a Life Barely Scratches the Surface [C] Venice
‘La Grazia’ Review: Paolo Sorrentino’s Richly Drawn Political Drama of a Leader Who’s Lost his Purpose is One of His Best Films [A] Venice
‘The Roses’ Review: By Any Other Name it Would Still Stink [C-]
‘Honey Don’t!’ Review: The Power of Chris(t) Almost Compels You in Ethan Coen’s Overly Sexualized Yet Sexually Timid Romp [B-]
‘Lurker’ Review: Writer-Director Alex Russell Crafts a Symbiotic Power Struggle with Paranoid Pop Star Thriller [B+]
‘Nobody 2’ Review: Can Anybody Find Me Somebody to Punch? [B-]
‘Freakier Friday’ Review: Lindsay Lohan and Jamie Lee Curtis Triumphantly Reunite for More Body-Swapping Hijinks [C+]
‘Weapons’ Review: Zach Cregger Crafts a Horror Masterpiece That Explores the Core of Communal Trauma [A]
César Awards: ‘The Ties That Bind Us’ Wins Best Film; Richard Linklater First American-born Filmmaker to win Best Director
A Guide to the 2026 Oscar-Nominated Documentary Short Films
A Guide to the 2026 Oscar-Nominated Live Action Short Films
A Guide to the 2026 Oscar-Nominated Animated Short Films