There’s often a romanticization of “breaking the rules” in filmmaking. It’s laudable when filmmakers color outside the lines and refuse to conform to typical standards... Read More
Film Reviews
Hollywood hasn’t had a creative muse like Andy Weir in quite some time. Though not nearly as prolific, his combination of hard-science technical detailing imprinted... Read More
The last day and a half of the 2026 True/False Film Fest saw the massive shift in the weather, from major thunderstorms and rain to... Read More
It’s hard to describe the momentousness of Cherien Dabis’ All That’s Left of You in a way that captures it with the justice it deserves.... Read More
The 2026 True/False Film Fest was in full effect yesterday, with the streets of Columbia, Missouri filled with thousands of film enthusiasts ready to partake... Read More
This time last year, I received an email about attending a mid-size film festival showcasing, celebrating the best of domestic and international nonfiction cinema. Though... Read More
When the opening frames of The Bride! displays introductory text establishing that Mary Shelley wrote her classic Gothic tragedy, Frankenstein, on a dare, it feels... Read More
The symptoms of Pixar’s near-decade-long fallow period are well-known. No new Pixar property has had any cultural stickiness since Coco in 2017. The diagnosis is... Read More
Best Documentary Short Film has an infamous reputation for being one of the more difficult categories to conquer. Because of their obviously abridged length, they... Read More
Hardcore Oscar fans know that the Best Live Action Short Film category has a rocky history when it comes to featuring quality nominees. Almost every... Read More

‘I Love Boosters’ Review: Boots Riley’s Dressed to Excess Cartoon Revolution is Too Much and Not Enough [B-] SXSW
‘Project Hail Mary’ Review: Ryan Gosling is Stuck Between a Rocky and a Hard Place in Crowdpleasing Sci-Fi Buddy Movie Adventure [A-]
True/False Film Fest Dispatch #3: ‘Barbara Forever,’ ‘Time and Water,’ ‘American Doctor’
‘All That’s Left of You’ Review: Cherien Dabis’ Drama of Palestinian Origin and Struggle is a Generational Touchstone [A]
True/False Film Fest Dispatch #2: ‘Phenomena,’ ‘Who Moves America,’ ‘Landscapes of Memory’
2026 True/False Film Fest Dispatch #1: ‘The Oldest Person in the World,’ ‘Broken English’
‘The Bride!’ Review: Maggie Gyllenhaal Goes For Baroque in Messy, Misguided Post-Modern Monster Movie [D]
‘Hoppers’ Review: Pixar is Back With Their Best Film in Years [B+]
A Guide to the 2026 Oscar-Nominated Documentary Short Films
A Guide to the 2026 Oscar-Nominated Live Action Short Films
‘Anima’ Review: Sydney Chandler and Takehiro Hira Ground Brian Tetsuro Ivie’s Low-Fi Sci-Fi Road Movie [B+] SXSW
Six Join 51st Residence of the Festival de Cannes, including Harry Lighton, Mansi Maheshwari, Oliver McGoldrick
‘Jury Duty Presents: Company Retreat’ Review: The Emmy-Nominated Hit Returns as an Hilarious Workplace Comedy [B+]
‘The Comeback’ Season 3 Review: Cherish is the Word I Use to Describe Lisa Kudrow [A-]