‘Pretty Lethal’ Review: Vicky Jewson’s Bloody, Ballistic Ballet is Never Quite On Pointe [C] SXSW
Director Vicky Jewson prefaced the world premiere of her new film Pretty Lethal by describing that she was first drawn to the film via its... Read More
Film Reviews
SXSW 2026 Reviews: ‘Ready or Not 2: Here I Come,’ ‘Over Your Dead Body,’ ‘Power Ballad’
When coming to the SXSW Film Festival, the main attraction for pass holders and ticket buyers can be some of the grand titles that lead... Read More
SXSW 2026 Reviews: ‘Sender,’ ‘The Saviors,’ ‘Hokum’ Highlight the Stars of ‘Severance’
A clear theme emerged out of a few movies from this year’s SXSW film line-up: Severance. Specifically, Britt Lower and Adam Scott, who topline the... Read More
‘Mike & Nick & Nick & Alice’ Review: BenDavid Grabinski Asks ‘What if Wong Kar-Wai Made a Gangster Love Triangle Sci-Fi Action Buddy Comedy’? [A-] SXSW
Mike & Nick & Nick & Alice is an increasingly rare variety of film, the kind that movie fans keep clamoring for studios to finance... Read More
‘I Love Boosters’ Review: Boots Riley’s Dressed to Excess Cartoon Revolution is Too Much and Not Enough [B-] SXSW
There’s often a romanticization of “breaking the rules” in filmmaking. It’s laudable when filmmakers color outside the lines and refuse to conform to typical standards... Read More
‘Project Hail Mary’ Review: Ryan Gosling is Stuck Between a Rocky and a Hard Place in Crowdpleasing Sci-Fi Buddy Movie Adventure [A-]
Hollywood hasn’t had a creative muse like Andy Weir in quite some time. Though not nearly as prolific, his combination of hard-science technical detailing imprinted... Read More
True/False Film Fest Dispatch #3: ‘Barbara Forever,’ ‘Time and Water,’ ‘American Doctor’
The last day and a half of the 2026 True/False Film Fest saw the massive shift in the weather, from major thunderstorms and rain to... Read More
‘All That’s Left of You’ Review: Cherien Dabis’ Drama of Palestinian Origin and Struggle is a Generational Touchstone [A]
It’s hard to describe the momentousness of Cherien Dabis’ All That’s Left of You in a way that captures it with the justice it deserves.... Read More
True/False Film Fest Dispatch #2: ‘Phenomena,’ ‘Who Moves America,’ ‘Landscapes of Memory’
The 2026 True/False Film Fest was in full effect yesterday, with the streets of Columbia, Missouri filled with thousands of film enthusiasts ready to partake... Read More
2026 True/False Film Fest Dispatch #1: ‘The Oldest Person in the World,’ ‘Broken English’
This time last year, I received an email about attending a mid-size film festival showcasing, celebrating the best of domestic and international nonfiction cinema. Though... Read More
Academy Award-winning Filmmaker Steven Bognar Boards Yael Bridge’s ‘Who Moves America’ Doc as Executive Producer [EXCLUSIVE] 
‘Euphoria’ Season 3 Review: What’s Left to Do for the Teens of East Highland High but to Rue the Day [C+] 
Alana Haim and Mamoudou Athie on Supporting Each Other Through ‘The Drama’ 
The Oscars Set March Dates for 99th and 100th Academy Awards