Japan’s official Oscar entry and Venice Film Festival selection, Cloud finds J-horror master Kiyoshi Kurosawa comfortably in his wheelhouse. It’s an atmospheric thriller imbued with... Read More
Film Reviews
Alexandra Fuller’s award-winning memoir Don’t Let’s Go to the Dogs Tonight gets cinematic treatment, courtesy of first-time writer/director Embeth Davidtz, who also stars in the... Read More
You don’t ever own your dog, not really. When you bring one into your life, you simply become their human, their companion, and protector, the... Read More
The search for identity has always been a staple subject for cinema. Who are we? What is our place in the world? How are we... Read More
This is a film about sex! From the first moments, as the logos of production companies flash on the screen, we’re immersed in a world... Read More
Even though he has been working in the biopic genre for a while now (NO, Neruda, Jackie, Spencer), Chilean director Pablo Larraín was under the... Read More
In 1972, Munich hosted the Summer Olympic Games. At the time, Germany was separated into two factions; East Germany, under the influence of a communist... Read More
Thirty six years have passed since audiences were introduced to the weird and wonderful mind of filmmaker Tim Burton. His sophomore feature Beetlejuice – a... Read More
Major controversies surrounded the 2008 Beijing Olympic Games while they occurred, but it was only after they came to a close that the organisers were... Read More
To call Blink Twice an updated, feminist version of Get Out carries a lot of implications all at once—it’s a bit obvious, somewhat reductive, and... Read More

‘Cloud’ Review: Japan’s Oscar Entry Finds Kiyoshi Kurosawa Matching Madness and Madcap in Online Reselling Satirical Thriller | Venice
‘Don’t Let’s Go to the Dogs Tonight’ Review: A Ghostly, Ghastly Tale of Growing Up During an African Civil War | Telluride
‘The Friend’ Review: Naomi Watts and a Very Good Boy Named Bing Make for a Deeply Dignified Dog Story | Telluride
‘Kill the Jockey’ Review: Nahuel Pérez Biscayart and Daniel Gimenez Cacho Stun in Gender Fluid Mob Dramedy | Venice
‘Babygirl’ Review: Nicole Kidman is Feral and Fearless as a Woman Taking Charge of Her Sexual Freedom | Venice
‘Maria’ Review: Angelina Jolie is a Woman Under the Influence in Pablo Larraín’s Minor Lietmotif | Venice
‘September 5’ Review: Tim Fehlbaum’s Take on the 1972 Munich Olympics Massacre Fails in its Presentation of Palestinian People | Venice
‘Beetlejuice Beetlejuice’ Review: The Juice is Back But Will This Legacy Sequel Quench Anybody’s Thirst? | Venice
‘Black Dog’ Review: Poetic Rehabilitation Drama Has Compassion For Man and Man’s Best Friend Led By an Extraordinary Eddie Peng
‘Blink Twice’ Review: Zoë Kravitz’s Feminist ‘Get Out’ is Righteously Angry and Frustratingly Derivative
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10