Life can be a series of question marks that are never resolved. We may forever wrestle with the possibilities and scenarios, but we are never... Read More
Film Reviews
Sister Barnes and Sister Paxton are doing missionary work for the Mormon Church. Paxton (Chloe East from The Fabelmans) is a sweet, bubbly chatterbox, while... Read More
If you thought the streaming era finally helped people get over their fear of the one-inch barrier of subtitles, Hollywood hasn’t received the same memo.... Read More
Women know body horror all too well. Before we can even really grasp what they mean, the standards embedded in us tell us our bodies... Read More
Writer/director Angelina Jolie has shown a penchant for challenging films depicting war when she is behind the camera—think First They Killed My Father or Unbroken.... Read More
When it comes to sci-fi films about an attempt for romantic connection, movies about machines and AI tend to be prevalent within that canon, from... Read More
Long before M. Night Shyamalan’s characters saw dead people, author Juan Rulfo wrote about a whole bunch of them roaming the streets of an abandoned... Read More
While revisionist westerns aren’t exactly popular, they do important work in dispelling the myth of the Great American West. On Swift Horses, Daniel Minahan’s adaptation... Read More
Never underestimate the power of children’s books. It’s easy to dismiss them as something designed for a child at a stage where they’re learning how... Read More
Wang Bing’s mammoth Youth documentary trilogy chronicles the lives of migrant workers in Zhili, China, garment sweatshops from 2014 to 2019. The films provide a... Read More

‘Việt and Nam’ Review: Trương Minh Quý’s Haunting and Melancholic Look at a Country Struggling with its Past | TIFF
‘Heretic’ Review: Hugh Grant is a Creep and a Weirdo in Deviously Devilish Debate About Religion | TIFF
‘Speak No Evil’ Review: James McAvoy Stars as a Sexy Villain in Remake That’ll Make You Scream
‘The Substance’ Review: Coralie Fargeat Feeds Us Moore Gore in Blood-Soaked Rumination on Female Body Image | TIFF
‘Without Blood’ Review: Angelina Jolie Directs Salma Hayek and Demián Bichir With Lots of Looks But Little Content | TIFF
‘Daniela Forever’ Review: Henry Golding Elevates an Imaginative Sci-Fi Pic That Falls Short of its Full Potential | TIFF
‘Pedro Páramo’ Review: Cinematographer Rodrigo Prieto’s Adaptation of the Classic Mexican Magical Realism Novel is Otherworldly | TIFF
‘On Swift Horses’ Review: Daniel Minahan’s Unsexy Adaptation Rides On Svelte Torsos and Not Much Else | TIFF
‘The Wild Robot’ Review: An Animated Triumph Destined to Become a Classic with an All-Time Voice Performance from Lupita Nyong’o | TIFF
‘Youth (Homecoming)’ Review: Wang Bing’s 10-Hour Doc Trilogy Disappoints in its Closing Workshop Saga | Venice
Colman Domingo to Receive Variety Creative Conscience Award at 50th San Francisco International LGBTQ+ Film Festival (Frameline50)
Interview: Ildikó Enyedi on Working with Tony Leung and Léa Seydoux and Her Triptych Storytelling in ‘Silent Friend’
Winners Announced for Golden Gate, Audience Awards of the 69th San Francisco International Film Festival (SFFILM)
‘Mortal Kombat II’ Review: Our Champions Have Leveled Up for Round Two [B]