Right before we were about to see Jake Johnson’s feature length directorial debut Self Reliance at the 2023 SXSW Film Festival, he came on stage... Read More
Film Reviews
How do comedians deal with PTSD? Typically, it’s to tell jokes to mask or subvert the trauma, but that doesn’t necessarily make the pain go... Read More
As Emma Seligman’s sophomore feature film, Bottoms, begins, we are introduced to PJ (Rachel Sennott) and Josie (Ayo Edebiri), our two protagonists who we will... Read More
Behind the core of the role playing fantasy board game Dungeons and Dragons (D&D) lies the simple idea that makes audiences go to the movies;... Read More
Midway through National Anthem, Dylan (Charlie Plummer) asks Sky (Eve Lindley) why she’s interested in him, self-proclaiming that he’s boring. “I don’t think you’re boring,”... Read More
When Radio Silence duo Matt Bettinelli-Olpin and Tyler Gillett rebooted Wes Craven’s iconic franchise, 2022’s Scream, (the first sequel since the filmmaker had passed away),... Read More
If you follow the career of Makato Shinkai, you know he is renowned world-wide for his anime films, Your Name and Weathering With You being... Read More
What’s a year without a Hong Sang-soo film? Does a film festival even exist, if it does not feature a regular slot for the prolific... Read More
Berlin Film Festival favourite Christian Petzold is back in competition with his latest film, Roter Himmel, titled Afire in English. Thomas Shubert stars alongside long-time... Read More
Well, you certainly can’t accuse the makers of Cocaine Bear of making any false promises – the film is indeed about a bear that does... Read More

‘Self Reliance’ review: Jake Johnson’s spoof on high concept game show premise plays it a bit too safe | SXSW
‘I Used to Be Funny’ review: Rachel Sennott is spectacular in Ally Pankiw’s confrontation of comedy and trauma | SXSW
‘Bottoms’ review: Emma Seligman’s unapologetically queer-centric high school sex comedy is a revelation for the subgenre | SXSW
‘Dungeons & Dragons: Honor Among Thieves’ review: Quest love and the friends you met along the way | SXSW
‘National Anthem’ review: Luke Gilford explores the wondrous, inviting world of America’s queer rodeo | SXSW
‘Scream VI’ review: Welcome to New York, it’s been slaying for you as thrills, tension, and blood flow in gory legacy sequel
‘Suzume’ review: Makoto Shinkai’s latest anime masterpiece is a jaw-dropping epic | Berlinale
‘In Water (mul-an-e-seo)’ review: Hong Sang-soo blurs the lines of his own self-reference to middling effect | Berlinale
‘Roter Himmel (Afire)’ review: Paula Beer is on fire in Christian Petzold’s tragicomic climate crisis allegory | Berlinale
‘Cocaine Bear’ review: Elizabeth Banks’s film roars with laughter at itself, but audiences may just give a few snorts
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A]
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW]
Director Watch Podcast Ep. 131 – ‘High Life’ (Claire Denis, 2019)
Alliance of Women Film Journalists (AWFJ): ‘One Battle After Another,’ ‘Hamnet’ Lead