Berlin Film Festival favourite Christian Petzold is back in competition with his latest film, Roter Himmel, titled Afire in English. Thomas Shubert stars alongside long-time... Read More
Film Reviews
Well, you certainly can’t accuse the makers of Cocaine Bear of making any false promises – the film is indeed about a bear that does... Read More
Three devastatingly attractive people are sitting at a bar: who are they? Or more importantly, who are they to each other? This initial curiosity bordering... Read More
Disco Boy is both equal parts mysterious and beguiling, as director Giacomo Abbruzzese guides the audience on a harrowing, yet intimate and sometimes dream-like journey.... Read More
Israeli director Guy Nattiv’s latest film is a biopic about the first and only female prime minister of Israel. Helen Mirren is nearly unrecognisable as... Read More
Vasilis Katsoupis’s debut feature is a claustrophobic psychological drama that features an unbridled Willem Dafoe performance. The Berlinale is the perfect debut platform for a... Read More
Femme is a neo-noir-inspired queer revenge thriller that stars British actors Nathan Stewart-Jarrett and George MacKay. Writer-directors Sam H. Freeman and Ng Choon Ping show... Read More
Margarethe von Trotta’s latest film is a graceful triumph of modern European cinema. Vicky Krieps is the window into the heart of von Trotta’s film,... Read More
The Wound, the acclaimed debut by the South African director John Trengove, provides a good launchpad for his sophomore feature, with Xhosa initiation traditions swapped... Read More
Playwright Tina Satter makes her screen debut with Reality, a simmering investigative drama reconstructing the arrest of Reality Winner, an NSA contractor and ex-Air Force... Read More

‘Roter Himmel (Afire)’ review: Paula Beer is on fire in Christian Petzold’s tragicomic climate crisis allegory | Berlinale
‘Cocaine Bear’ review: Elizabeth Banks’s film roars with laughter at itself, but audiences may just give a few snorts
‘Past Lives’ review: Celine Song’s poignant debut is a nuanced little wonder | Berlinale
‘Disco Boy’ review: Franz Rogowski enchants in Giacomo Abbruzzese’s daring, dreamlike debut feature | Berlinale
‘Golda’ review: An impressive Helen Mirren can’t save one-sided legacy biopic embedded with a fear of Meir | Berlinale
‘Inside’ review: Art thief Willem Dafoe gets locked up by human isolation in COVID-allegorical psychological drama | Berlinale
‘Femme’ review: George MacKay is frightening as a hyper-masculine thug in this daring London-set neo-noir | Berlinale
‘Ingeborg Bachmann – Journey into the Desert’ review: Vicky Krieps disappears in Margarethe von Trotta’s elegant return to cinema | Berlinale
‘Manodrome’ review: Jesse Eisenberg is phenomenal in John Trengove’s fascinating take on toxic masculinity | Berlinale
‘Reality’ review: Sydney Sweeney is a tour de force in intense U.S. election whistleblower thriller | Berlinale
‘Wishful Thinking,’ ‘Over Your Dead Body’ Among 2026 SXSW Film & TV Festival Juried and Audience Award Winners
Director Watch Podcast Ep. 144 – ‘A Matter of Life and Death (Powell and Pressburger, 1946) with Special Guest Jesse Nussman
Association of Motion Picture Sound (AMPS) Television and Nonfiction Nominations Announced: ‘Adolescence,’ ‘Black Mirror,’ ‘Slow Horses’ and More
Trailer Watch: ‘Spider-Man: Brand New Day,’ ‘Dune: Part Three,’ Disclosure Day,’ ‘Wild Horse Nine’