Un Couple has been described as legendary documentarian Frederick Wiseman’s first fictional, feature-length film. In truth it is neither. The 64-minute series of monologues performed... Read More
Film Reviews
Cate Blanchett has never been a bad actress, but she has rarely been this good. To say she “stars” in wildly entertaining, surprisingly funny drama... Read More
Amidst the hundred million-dollar limited series and relentless stream of middling action flicks, it seems that Netflix does, in fact, seem to still have time... Read More
Edgier and more expressionistic than anything we’ve seen from a director whose commercial sensibility can sometimes border on cautious, White Noise is a markedly ambitious,... Read More
There’s a disappointing tendency for movies about being Jewish to be surface-level and not really dig into actual substantive practices or traditions. While that may... Read More
Few major franchises have gone through the tumultuous trajectory of the Predator series. After the success of a first installment being undercut by a slew... Read More
AppleTV+ is about to release its first animated film since 2020’s Wolfwalkers. Unfortunately, Skydance Animation’s Luck isn’t quite the masterpiece that the international Cartoon Saloon... Read More
After delivering one of the last decades most undoubtedly influential action films in John Wick, it’s not a stretch to say that director David Leitch... Read More
Condensing a rescue mission that took two and half weeks into a film that runs just under two and a half hours long is no... Read More
Last year’s Best Picture-nominated Don’t Look Up was hailed as a modern masterpiece of satire, skewering society in a way only Adam McKay and a... Read More

‘Un Couple’ review: Frederick Wiseman’s first ever ‘fictional’ film imbues Tolstoy in his strange, artful ode to a woman [B] | Venice Film Festival
‘Tár’ review: Maestra Cate Blanchett tears up the rulebook with her best work in years in Todd Field’s wildly entertaining and expressionistic return [A-] | Venice Film Festival
‘Love in the Villa’ review: Charming leads Kat Graham and Tom Hopper can’t save unfunny and cliché-ridden rom-com [D+]
‘White Noise’ review: Noah Baumbach’s 1980s family drama builds up steam and lets off a whimper [B] | Venice Film Festival
’13: The Musical’ review: Low stakes drama makes way for a Bar Mitzvah extravaganza filled with fun and frivolity [B+]
‘Prey’ review: A star-making turn from Amber Midthunder and a stealthy Predator make for a promising future of the horror-action franchise [B]
‘Luck’ review: Black cats, leprechauns and a lovelorn dragon can’t rescue Apple’s animated magical mess [C]
‘Bullet Train’ review: A high-speed, uber-violent Agatha Christie mystery on acid and a bloody good time [B+]
‘Thirteen Lives’ review: Ron Howard presents an engrossing look at the dangerous real-life Thai cave rescue mission [B+]
‘Not Okay’ review: A lie in Paris reveals the truth in Quinn Shephard’s biting social media influencer satire [B+]
Interview: Cinematographer Darius Khondji on Shooting on Film and Finding the Light and the Darkness of ‘Marty Supreme’
Writer/Director Charlie Polinger Tackles Teenage Boy Body Horror in his Debut Feature ‘The Plague’ [VIDEO INTERVIEW]
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A]
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW]