‘Empire of Light’ review: Olivia Colman and Micheal Ward light up the screen in Sam Mendes’ latest [B+] | Telluride Review
For the last two years, people have been locked away due to the ongoing Covid-19 pandemic and other various spreader events plaguing the world. When... Read More
Film Reviews
‘Argentina, 1985’: A great lead performance saves a flawed historical courtroom drama [B-] | Venice Film Festival
We may try to grasp history with our hands, but it always finds a way out of our control. How can we imagine catching it,... Read More
‘Bardo’ review: Inside a grand, spectacular vision, director Alejandro G. Iñárritu makes his most personal film to date [B+] | Telluride Film Festival
When we first find Silverio Gama (Daniel Giménez Cacho), renowned Mexican journalist turn successful documentarian, he is having a wild set of dreams. From floating... Read More
‘All the Beauty and the Bloodshed’ review: Laura Poitras’ profound portrait of artist and activist Nan Goldin is one of year’s best films [A+] | Venice Film Festival
Who is Nan Goldin? For people who are not photography enthusiasts, this name probably doesn’t sound familiar. I had personally never heard of her, so... Read More
‘Un Couple’ review: Frederick Wiseman’s first ever ‘fictional’ film imbues Tolstoy in his strange, artful ode to a woman [B] | Venice Film Festival
Un Couple has been described as legendary documentarian Frederick Wiseman’s first fictional, feature-length film. In truth it is neither. The 64-minute series of monologues performed... Read More
‘Tár’ review: Maestra Cate Blanchett tears up the rulebook with her best work in years in Todd Field’s wildly entertaining and expressionistic return [A-] | Venice Film Festival
Cate Blanchett has never been a bad actress, but she has rarely been this good. To say she “stars” in wildly entertaining, surprisingly funny drama... Read More
‘Love in the Villa’ review: Charming leads Kat Graham and Tom Hopper can’t save unfunny and cliché-ridden rom-com [D+]
Amidst the hundred million-dollar limited series and relentless stream of middling action flicks, it seems that Netflix does, in fact, seem to still have time... Read More
‘White Noise’ review: Noah Baumbach’s 1980s family drama builds up steam and lets off a whimper [B] | Venice Film Festival
Edgier and more expressionistic than anything we’ve seen from a director whose commercial sensibility can sometimes border on cautious, White Noise is a markedly ambitious,... Read More
’13: The Musical’ review: Low stakes drama makes way for a Bar Mitzvah extravaganza filled with fun and frivolity [B+]
There’s a disappointing tendency for movies about being Jewish to be surface-level and not really dig into actual substantive practices or traditions. While that may... Read More
‘Prey’ review: A star-making turn from Amber Midthunder and a stealthy Predator make for a promising future of the horror-action franchise [B]
Few major franchises have gone through the tumultuous trajectory of the Predator series. After the success of a first installment being undercut by a slew... Read More
76th American Cinema Editors ACE Eddie Awards: ‘Sinners,’ ‘One Battle After Another,’ ‘The Pitt’ Take Top Wins 
Interview: Stellan Skarsgård on Navigating the Ever-Changing Film Industry and the Cathartic Ending of ‘Sentimental Value’ 
Director Watch Podcast Ep. 141 – ’49th Parallel aka The Invaders’ (Powell and Pressburger, 1942) 
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)