‘The Banshees of Inisherin’ review: Brendan Gleeson and Colin Farrell fight a personal Irish Civil War in Martin McDonagh’s green and black comedy [B+] | Venice Film Festival
Pádraic (Colin Farrell) is a happy-go-lucky guy. He walks fictional Irish island Inisherin, in April 1923, as if he gets on with everyone, and convinces... Read More
Film Reviews
‘The Whale’ review: Brendan Fraser’s incredible performance anchors a cathartic, emotional powerhouse [A] | Venice Film Festival
We watch movies because we seek entertainment, but at the same time we watch them because we want to be reassured that our world views... Read More
‘Empire of Light’ review: Olivia Colman and Micheal Ward light up the screen in Sam Mendes’ latest [B+] | Telluride Review
For the last two years, people have been locked away due to the ongoing Covid-19 pandemic and other various spreader events plaguing the world. When... Read More
‘Argentina, 1985’: A great lead performance saves a flawed historical courtroom drama [B-] | Venice Film Festival
We may try to grasp history with our hands, but it always finds a way out of our control. How can we imagine catching it,... Read More
‘Bardo’ review: Inside a grand, spectacular vision, director Alejandro G. Iñárritu makes his most personal film to date [B+] | Telluride Film Festival
When we first find Silverio Gama (Daniel Giménez Cacho), renowned Mexican journalist turn successful documentarian, he is having a wild set of dreams. From floating... Read More
‘All the Beauty and the Bloodshed’ review: Laura Poitras’ profound portrait of artist and activist Nan Goldin is one of year’s best films [A+] | Venice Film Festival
Who is Nan Goldin? For people who are not photography enthusiasts, this name probably doesn’t sound familiar. I had personally never heard of her, so... Read More
‘Un Couple’ review: Frederick Wiseman’s first ever ‘fictional’ film imbues Tolstoy in his strange, artful ode to a woman [B] | Venice Film Festival
Un Couple has been described as legendary documentarian Frederick Wiseman’s first fictional, feature-length film. In truth it is neither. The 64-minute series of monologues performed... Read More
‘Tár’ review: Maestra Cate Blanchett tears up the rulebook with her best work in years in Todd Field’s wildly entertaining and expressionistic return [A-] | Venice Film Festival
Cate Blanchett has never been a bad actress, but she has rarely been this good. To say she “stars” in wildly entertaining, surprisingly funny drama... Read More
‘Love in the Villa’ review: Charming leads Kat Graham and Tom Hopper can’t save unfunny and cliché-ridden rom-com [D+]
Amidst the hundred million-dollar limited series and relentless stream of middling action flicks, it seems that Netflix does, in fact, seem to still have time... Read More
‘White Noise’ review: Noah Baumbach’s 1980s family drama builds up steam and lets off a whimper [B] | Venice Film Festival
Edgier and more expressionistic than anything we’ve seen from a director whose commercial sensibility can sometimes border on cautious, White Noise is a markedly ambitious,... Read More
Motion Picture Sound Editors (MPSE) Announce Dates for 2027 and 2028 Awards 
Director Watch Podcast Ep. 148 – ‘Peeping Tom’ (Powell, 1960) 
2026 Chicago Critics Film Festival top Open with Olivia Wilde’s ‘The Invite,’ Announces Special Guests and Recipients of 2026 Emerging Critics Grant 
The 79th Cannes Film Festival Lineup is Here, With A Strong Global Slate of Films from Ryusuke Hamaguchi, Cristian Mungiu, Jane Schoenbrun, and More