Sudden fame would feel unnatural for anyone—let alone Ed Saxberger, an aging post office worker turned native New Yorker. One evening, he returns home from... Read More
Film Reviews
Acclaimed Hong Kong-Taiwanese actress Shu Qi (known for her arthouse and commercial films including The Assassin, Three Times and most recently Bi Gan’s Resurrection) makes... Read More
The Sheridan Opera House in Telluride, Colorado has seen legendary, subversive non-American filmmakers celebrated by the Telluride Film Festival over the past 52 years. From... Read More
Life doesn’t always give us answers – but that doesn’t mean the questions always linger, haunting us at every turn. There is a pain in... Read More
Playing in competition at this year’s Venice Critics’ Week, Yanis Koussim’s Roqia is a rare Middle Eastern genre film that takes narrative risks that mostly... Read More
The opening music for Julian Schnabel’s In the Hand of Dante, an audacious but ruinously messy epic which takes place across seven centuries and has... Read More
For close to one hundred years, Frankenstein has always been a complex, fascinating tale of the moral consequences from man’s decision to create something beyond... Read More
In January of 2024, Hind Rajab was evacuating her home in the Tel al-Hawa neighbourhood of Gaza City, as ordered by Israeli forces, alongside six... Read More
Eleonora Duse is a name that carries the weight of legend: Te actress who revolutionized theatrical performance in Italy, who captivated audiences across Europe, and... Read More
‘The Stranger’ Review: The Absurdity of Existence Captured in François Ozon’s Newest Film [B] Venice
‘The Stranger’ Review: The Absurdity of Existence Captured in François Ozon’s Newest Film [B] Venice
François Ozon’s cinematic adaptation of Albert Camus’ “The Stranger” is an ambitious, meticulously crafted endeavor, one that seeks to translate the existential rigor and enigmatic... Read More

‘Late Fame’ Review: Willem Dafoe and Greta Lee Sparkle in Kent Jones’s Fizzled Fable [C+] Venice
‘Girl’ Review: Shu Qi’s Directorial Debut Finds Heart in the Face of Grim Oppression [B] Venice
Telluride Silver Medallion and Tribute to Iranian Filmmaker Jafar Panahi, Reflecting on ‘It Was Just an Accident’ and Lifelong Political Filmography
‘My Father and Qaddafi’ Review: Jihan K Crafts a Moving Portrait of Living Under a Regime of Brutality [A-] Venice
‘Roqia’ Review: [B] Venice
‘In the Hand of Dante’ Review: Julian Schnabel’s Less Than Divine Comedy of Errors Belongs in the 9th Circle of Hell [D+] Venice
‘Frankenstein’ Review: To the Victor Go the Spoils [B] Telluride
‘The Voice of Hind Rajab’ Review: Kaouther Ben Hania’s Harrowing Look at a Palestinian Genocide Flashpoint is the Most Indispensable Film of the Decade [A] Venice
‘Duse’ Review: The Chaos of a Legend is Captured in Pietro Marcello’s Endurance Test of a Costume Drama [C-] Venice
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10