Nia DaCosta’s fun, feminist Ibsen reimagining, Hedda, opens with a quote from another playwright. Instead of referencing Ibsen himself or another literary staple of the... Read More
Film Reviews
Earlier this year, the Los Angeles metropolitan area and San Diego County faced some of the worst wildfires in the country’s history. Complete sections of... Read More
“Timeless” is a word that gets thrown around a lot, particularly by movie critics to describe films that have lasting power because they are enjoyed... Read More
Alex Winter hasn’t directed a narrative feature film since 2015’s Smosh: The Movie. In some sense, you could say we haven’t gotten a real Alex... Read More
It’s typical and expected from every year that a handsomely crafted historical drama would come along and remind audiences of a certain part of WWII... Read More
After maintaining his scream king title recently thanks to projects like the Smile films and Strange Darling, Kyle Gallner makes a pivot to romantic anti-hero... Read More
You can, of course, leave it to Steven Soderbergh of all people to make a biting and salient drama about the ways we value and... Read More
“My grandfather once said that happiness isn’t a story.” In the traditional folk song “Silver Dagger,” the lyrics go “All men are false, says my... Read More
In an edition full of surprises and films that moved and provoked audiences at the Venice Film Festival, Ildikó Enyedi’s Silent Friend is perhaps the... Read More
As he enters the office of Meridian Mortgages on a brisk February morning in 1977, Tony Kiritsis (Bill Skarsgård) is visibly on edge, despite the... Read More

‘Hedda’ Review: Tessa Thompson Seduces and Destroys in Nia DaCosta’s Sexy, Stylish Spin on a Classic [B+] TIFF
‘The Lost Bus’ Review: Paul Greengrass and Company are Running on Empty in Undercooked True Life Survival Drama [D] TIFF
‘Train Dreams’ Review: Joel Edgerton Shines in Contemplative Drama About Life and Technological Progress [A-] TIFF
‘Adulthood’ Review: Alex Winter’s Suburban Neo-Noir Dark Comedy is Dead on Arrival [C-] TIFF
‘Nuremberg’ Review: James Vanderbilt’s Historical Thriller Looks at When Perpetrators of Systematic Genocide Used to be Brought to Justice [A-] TIFF
‘Carolina Caroline’ Review: Kyle Gallner and Samara Weaving Rob and Throb in Old-School Crime Drama of Lovers on the Run [A-] TIFF
‘The Christophers’ Review: Ian McKellen is an Irritable, Aging Painter in Steven Soderbergh’s Warm and Funny Chamber Drama About Artistic Integrity [B+] TIFF
‘The History of Sound’ Review: Paul Mescal and Josh O’Connor’s Tender Romance is a Silver Dagger to the Heart [A-]
‘Silent Friend’ Review: Ildikó Enyedi’s Hypnotic Saga is One of the Year’s Best Films [A] Venice
‘Dead Man’s Wire’ Review: Gus Van Sant Crafts a Kinetic Dog Day Afternoon for Bill Skarsgård [B+] Venice
A Guide to the 2026 Oscar-Nominated Documentary Short Films
A Guide to the 2026 Oscar-Nominated Live Action Short Films
A Guide to the 2026 Oscar-Nominated Animated Short Films
‘DTF St. Louis’ Review: Jason Bateman and David Harbour Star in Sex and Death Mystery That’s Mostly Flaccid [D]