‘The Fire Inside’ Review: Rachel Morrison’s Directorial Feature debut is a Sincere Yet Unremarkable, By-the-Numbers Sports Biopic | TIFF
Award-winning cinematographer Rachel Morrison (the first woman ever Oscar-nominated for cinematography) makes her feature debut with The Fire Inside, an earnest yet conventional picture that... Read More
Toronto International Film Festival
‘The Life of Chuck’ Review: Mike Flanagan’s Offbeat Stephen King-Based Tom Hiddleston Drama Mostly Hits the Mark | TIFF
“Do I contradict myself? Very well then I contradict myself, (I am large, I contain multitudes.)” So goes Walt Whitman’s classic poem “Song of Myself.”... Read More
‘All of You’ Review: Brett Goldstein and Imogen Poots’ Chemistry Can’t Save an Underdeveloped, Badly Paced Sci-Fi Romance | TIFF
Every year, the Toronto International Film Festival has a handful of small scale science fiction relationship dramas, all hoping to be the next Eternal Sunshine... Read More
‘Việt and Nam’ Review: Trương Minh Quý’s Haunting and Melancholic Look at a Country Struggling with its Past | TIFF
Life can be a series of question marks that are never resolved. We may forever wrestle with the possibilities and scenarios, but we are never... Read More
‘Heretic’ Review: Hugh Grant is a Creep and a Weirdo in Deviously Devilish Debate About Religion | TIFF
Sister Barnes and Sister Paxton are doing missionary work for the Mormon Church. Paxton (Chloe East from The Fabelmans) is a sweet, bubbly chatterbox, while... Read More
‘The Substance’ Review: Coralie Fargeat Feeds Us Moore Gore in Blood-Soaked Rumination on Female Body Image | TIFF
Women know body horror all too well. Before we can even really grasp what they mean, the standards embedded in us tell us our bodies... Read More
‘Without Blood’ Review: Angelina Jolie Directs Salma Hayek and Demián Bichir With Lots of Looks But Little Content | TIFF
Writer/director Angelina Jolie has shown a penchant for challenging films depicting war when she is behind the camera—think First They Killed My Father or Unbroken.... Read More
‘Daniela Forever’ Review: Henry Golding Elevates an Imaginative Sci-Fi Pic That Falls Short of its Full Potential | TIFF
When it comes to sci-fi films about an attempt for romantic connection, movies about machines and AI tend to be prevalent within that canon, from... Read More
‘Pedro Páramo’ Review: Cinematographer Rodrigo Prieto’s Adaptation of the Classic Mexican Magical Realism Novel is Otherworldly | TIFF
Long before M. Night Shyamalan’s characters saw dead people, author Juan Rulfo wrote about a whole bunch of them roaming the streets of an abandoned... Read More
‘On Swift Horses’ Review: Daniel Minahan’s Unsexy Adaptation Rides On Svelte Torsos and Not Much Else | TIFF
While revisionist westerns aren’t exactly popular, they do important work in dispelling the myth of the Great American West. On Swift Horses, Daniel Minahan’s adaptation... Read More
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Interview: ‘The Substance’ Special Makeup Effects Designer Pierre-Olivier Persin on Transforming Demi Moore and Margaret Qualley into a Funhouse of Horror and Using 4,000 Gallons of Blood