‘In the Hand of Dante’ Review: Julian Schnabel’s Less Than Divine Comedy of Errors Belongs in the 9th Circle of Hell [D+] Venice
The opening music for Julian Schnabel’s In the Hand of Dante, an audacious but ruinously messy epic which takes place across seven centuries and has... Read More
Venice Film Festival
‘The Voice of Hind Rajab’ Review: Kaouther Ben Hania’s Harrowing Look at a Palestinian Genocide Flashpoint is the Most Indispensable Film of the Decade [A] Venice
In January of 2024, Hind Rajab was evacuating her home in the Tel al-Hawa neighbourhood of Gaza City, as ordered by Israeli forces, alongside six... Read More
‘Duse’ Review: The Chaos of a Legend is Captured in Pietro Marcello’s Endurance Test of a Costume Drama [C-] Venice
Eleonora Duse is a name that carries the weight of legend: Te actress who revolutionized theatrical performance in Italy, who captivated audiences across Europe, and... Read More
‘The Stranger’ Review: The Absurdity of Existence Captured in François Ozon’s Newest Film [B] Venice
‘The Stranger’ Review: The Absurdity of Existence Captured in François Ozon’s Newest Film [B] Venice
François Ozon’s cinematic adaptation of Albert Camus’ “The Stranger” is an ambitious, meticulously crafted endeavor, one that seeks to translate the existential rigor and enigmatic... Read More
‘A House of Dynamite’ Review: Kathryn Bigelow’s Politics Apocalypse is a Potent Potboiler [B+] Venice
In her first film in almost a decade, Kathryn Bigelow returns with A House of Dynamite, an incredibly timely film with an inventive narrative structure,... Read More
‘Father Mother Sister Brother’ Review: Jim Jarmusch’s Family Affair is an Uneven Triptych of Ties that Bind [C+] Venice
Jim Jarmusch is known for his often quiet, contemplative and meditative films that have a lot to say without actually saying much. The enigmatic beauty... Read More
‘The Smashing Machine’ Review: Benny Safdie’s Cautious Fighter Drama Pulls its Punches [C] Venice
Some films don’t know what they want to be – and that’s certainly the case with Benny Safdie’s The Smashing Machine, a film that continuously... Read More
‘Rose of Nevada’ Review: George MacKay and Callum Turner Get Spooked in Mark Jenkin’s Ghostly Fisherman Fable [A-] Venice
In Rose of Nevada, the sea does not simply serve as a backdrop but as a force of memory and fate. Mark Jenkin returns to... Read More
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A] Venice
Religious dramas are not really my cup of tea, to use a British expression. I’m a big fan of Ingmar Bergman, but I’m not really... Read More
‘Below the Clouds’ Review: Gianfranco Rosi’s Volcano Doc Erupts with Humanity [B+] Venice
Since the start of humanity, mankind has always been fascinated with the concept of time. The notion of past, present, future has often been analyzed... Read More
North Dakota Film Society (NDFS) Awards: ‘Sinners’ Takes Best Picture 
North Carolina Film Critics Association (NCFCA) Nominations: ‘Sinners’ Leads with History-Making 19 
FINAL 2026 Oscar Predictions: BEST CASTING 
FINAL 2026 Oscar Predictions: ANIMATED FEATURE