‘Ferrari’ Review: Michael Mann’s Return is a Propulsive, Poignant Look at a Legend’s Most Turbulent Period | Venice
Ferrari is Modena, and Modena is Ferrari. The small city in Northern Italy has a medieval centre with red roofs and a white clock tower... Read More
Venice Film Festival
‘El Conde’ Review: Larrain’s Brilliant and Twisted Satire About Fascism Has Bite | Venice
“History repeats itself, first as tragedy, second as farce.” -Karl Marx There’s certainly no more controversial figure in Chile than that of dictator Augusto Pinochet.... Read More
‘The Kiev Trial’ review: Sergei Loznitsa’s latest dip into the archives explores the banality of Nazi evil in Ukraine [B-] | Venice
On Venice’s Lido island, documentarian Sergei Loznitsa was greeted like an exiled novelist, or an ex-political prisoner finally able to meet his adoring fans. Yet... Read More
‘Siccità’ review: Paolo Virzì’s Italian apocalyptic satire sinks its teeth into the pandemic, climate change but bites off more than it can chew [C] | Venice
It’s immediately visible that Siccità, or Dry, is setting a grand stage for an incisive comment on the dire nature the world is in. After... Read More
‘Blonde’ review: Ana de Armas plays Marilyn Monroe the celebrity in Andrew Dominik’s incendiary but sometimes frustratingly conventional biopic [B] | Venice Film Festival
In a lively interview with Sight & Sound to mark the release of Blonde, director Andrew Dominik describes his mission as recreating the “images” of... Read More
‘Saint Omer’ review: Alice Diop’s affecting story about motherhood is a stunner [A] | Venice Film Festival
It’s November 2013, and in the small town of Berck-sur-mer, in northern France, a 15-month old baby is found dead on a beach. It’s a... Read More
‘The Son’ review: Florian Zeller’s sophomore effort disappoints despite a great Hugh Jackman [C+] | Venice Film Festival
Florian Zeller’s stage trilogy about parent-child relationships and the devastating consequences of mental illness was one of the biggest surprises in the theater world of... Read More
‘The Eternal Daughter’ review: Tilda Swinton shines in Joanna Hogg’s painful, personal drama [A] | Venice Film Festival
Telling someone they are being “very British” is almost never meant as a compliment. The cursed phrase connotes repression, quiet, politeness over honesty, a love... Read More
‘Monica’ review: Trace Lysette is a revelation in Andrea Pallaoro’s delicate story of family and acceptance [B+] | Venice Film Festival
Our lives can sometimes be impacted by irreparable trauma, and even though we heal from it, it will leave us scarred. A parent’s rejection of... Read More
‘L’immensità’ review: A solid performance from Penélope Cruz doesn’t save Emanuele Crialese’s broadly drawn family drama [C+] | Venice Film Festival
Filmmakers often use cinema to tell personal stories, sometimes stories straight from their own childhood. Recently we’ve seen Alfonso Cuarón, Paolo Sorrentino, Kenneth Branagh, Steven... Read More
FINAL Frontrunner Friday Oscar Predictions of the 2025/2026 Season 
FINAL 2026 Oscar Predictions: BEST PICTURE and BEST DIRECTOR 
‘I Love Boosters’ Review: Boots Riley’s Dressed to Excess Cartoon Revolution is Too Much and Not Enough [B-] SXSW 
‘Margo’s Got Money Troubles’ Season One Review: Elle Fanning and Michelle Pfeiffer Momedy Hits the Mark [B+]