It’s Homelander’sAnnual Birthday Spectacular, live on TV! There will be song, there will be dance, the cast of Riverdale and Dame Judi Dench plan to... Read More
Reviews
The Boys returns with our corporate-shill superheroes doing what they do best — some good old-fashioned red-carpet marketing. The A-lister group of superheroes The Seven... Read More
The opening scene from Prime Video’s new season of The Boys drops viewers right into the middle of one of Vought’s new film premieres, the... Read More
The origin story of Riley Keough and Gina Gammell’s feature debut, War Pony, coincides with the production of another film, Andrea Arnold’s 2016 Cannes Jury... Read More
What can we do with our fickle memories of childhood, especially the ones painting our parents with idealistic brush strokes, as if they were something... Read More
A disarmingly down-the-line film about a repressed artist trying to communicate a little better with the people around her, Kelly Reichardt’s Showing Up is a... Read More
Lukas Dhont’s sophomore feature, Close, is a remarkably well-directed film about childhood grief in a time maybe of its greatest need. It’s a great next... Read More
It’s been two years since Starz’s breakout summer hit P-Valley has graced the small screens for viewers. The first season premiered in the beginning of... Read More
Trish (Margaret Qualley) is a journalist whose press card is being revoked and her stay in Nicaragua compromised, and her way of making ends meet... Read More
Fire Island is a bright celebration of what friendship stands for: sharing laughs and creating fond memories with your best Judys through thick and thin.... Read More

Cannes Review: Riley Keough and Gina Gammell’s ‘War Pony’ is a well-intended but often performative look at letting Lakota people telling their stories [Grade: B-]
Cannes Review: Paul Mescal plays a troubled father in Charlotte Wells’ delicately stunning debut, ‘Aftersun’ [Grade A-]
Cannes Review: ‘Showing Up’ gets closer to Kelly Reichardt’s creative process than any of her films yet [Grade: A-]
Cannes Review: Lukas Dhont’s ‘Close’ is a delicate coming of age tale with a miraculous debut performance from Eden Dambrine [Grade: A]
‘P-Valley’ Season Two review: Uncle Clifford and the girls are back open for business in the midst of COVID [Grade: B-]
Cannes Review: Margaret Qualley and Joe Alwyn set their love ablaze in Claire Denis’ steamy Nicaragua-set romance ‘Stars at Noon’ [Grade: A]
‘Fire Island’ review: Escape to a Never-Never Land full of tea and sympathy in the year’s funniest and sexiest queer rom-com [Grade: A-]
2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers
2026 Tribeca Festival Celebrates 25th Anniversary with World Premieres of ‘Hadestown: The Musical,’ ‘Earth, Wind & Fire’ Doc
Director Watch Podcast Ep. 149 – ‘Killer of Sheep’ (Charles Burnett, 1978)
‘Lee Cronin’s The Mummy’ Review: Careful the Spell You Cast, Children Will Listen (and Sometimes Kill) [C]