When reviewing Thomas Pynchon’s postmodern tale of American transformation, “Vineland,” Frank McConnell of the LA Times described the book as, “Quite simply, one of those... Read More
Reviews
The only thing more ridiculous than the title A Big Bold Beautiful Journey may be the fact that the title is said out loud in... Read More
No city is too small to hide a secret too large. The latest rendition of this popular trope takes a jab at small town America... Read More
Do movies need dialogue? It’s not a silly question. After all, film is a visual medium. And the visual existed quite a while before synchronized... Read More
Maude Apatow is no stranger to cross-generational coming-of-age stories. Growing up, she had minor roles in her father Judd Apatow’s comedic films (The 40-Year-Old Virgin,... Read More
After their extraordinary sophomore feature Wildhood, Bretten Hannem crafts another demonstration of being in touch with one’s own Indigenous heritage. One that is even more... Read More
It’s easy to look at Christy, the new boxing biopic from journeyman director David Michôd, and expect the most formulaic story: a scrappy fighter from... Read More
There’s not much talking at the beginning of Dust Bunny. The opening 15 minutes of the long-awaited feature-length film from cult favorite TV writer Bryan... Read More
Minutes into Mamoru Hosoda’s Scarlet, we are thrust into a world that thematically plays with elements of his past works – films like Digimon, Summer... Read More
There exists a spectrum of sad movies that are about kids but not for kids. On the lowest end of the spectrum, something like Spike... Read More

‘One Battle After Another’ Review: Paul Thomas Anderson’s Satirical Saga is the Defining American Film of the Decade [A]
‘Normal’ Review: Bob Odenkirk is a Nobody Sheriff Pushed Too Far in Ben Wheatley’s Sisyphean, Odyssean Modern Western [B-] TIFF
‘Motor City’ Review: The Best Possible Case for a Dialogue-Free Action Flick [B] TIFF
‘Poetic License’ Review: Maude Apatow’s Delightful Directorial Debut is a New Coming-of-Age Classic [B+] TIFF
‘Sk+te’kmujue’katik (At the Place of Ghosts)’ Review: A Narratively Ambitious Genre-Bending Tale of Familial Trauma [B] TIFF
‘Christy’ Review: Sydney Sweeney’s Boxer Biopic Has Familiar Filmmaking Genes but a Captivating Central Story of Perseverance [B] TIFF
‘Dust Bunny’ Review: Bryan Fuller’s Hybrid Fantasy-Action-Horror Fable Has an Endearingly Childlike Sense of Enchantment [B] TIFF
‘Scarlet’ Review: Mana Ashida’s Vocal Performance Highlights Mamoru Hosoda’s Animated Fantasy [B] TIFF
‘The President’s Cake’ Review: Hasan Hadi’s Layered Drama is as Entertaining as it is Compelling [A-] TIFF
San Quentin Film Festival (SQFF) to Hold Event at Central California Women’s Facility
‘Never After Dark’ Review: Dave Boyle’s Ghostly Spooker Will Keep You Guessing [B] SXSW
SXSW 2026 Reviews: ‘Wishful Thinking,’ ‘The Sun Never Sets,’ ‘Obsession’
‘Pretty Lethal’ Review: Vicky Jewson’s Bloody, Ballistic Ballet is Never Quite On Pointe [C] SXSW