‘2073’ Review: Asif Kapadia Conjures a Taut Sci-Fi Thriller in a Post-Apocalyptic World | Venice
We often associate the term dystopia with films or novels, fictional stories detached to some degree from our reality, but perhaps we already reside within... Read More
Reviews
‘Emilia Pérez’ Review: Women on the Verge of a Nervous Breakdance | Telluride
French auteur Jacques Audiard’s Emilia Pérez took the Cannes Film Festival by storm, winning the Jury Prize as well as the Best Actress award, shared... Read More
‘Saturday Night’ Review: Cocaine, Mom Jokes and a Race Against the Clock Punctuate Jason Reitman’s Tribute to the First Night of ‘SNL’ | Telluride
From the moment Jason Reitman’s Saturday Night begins, the clock is ticking as it leads up to the first ever taping of Saturday Night Live,... Read More
‘I’m Still Here’ Review: Walter Salles Avoids Manipulation to Tell a Moving Story of Family Trauma in the Face of Political Strife | Venice
When we’re asked what scares us the most, one of the answers we’re probably going to give is “I don’t want anything to happen to... Read More
‘Nickel Boys’ Review: RaMell Ross’ Audacious Colson Whitehead Adaptation is a New American Masterpiece | Telluride
Colson Whitehead’s Pulitzer Prize-winning novel, “The Nickel Boys,” begins with an arresting line: “Even in death, the boys were trouble.” When archaeology students unearthed dozens... Read More
‘The Room Next Door’ Review: Pedro Almodóvar’s Rumination on Death is an Actress Extravaganza for Tilda Swinton and Julianne Moore | Venice
It took two powerhouse actresses, a story about death, and the lure of a bold new challenge to finally coax Pedro Almodóvar into making his... Read More
‘The Brutalist’ Review: Adrien Brody Gives a Shattering Performance in the Cinematic Event of the Year | Venice
If Megalopolis were half decent, it might look a lot like The Brutalist. While this review solely focuses on the latter, the two films just... Read More
‘Wolfs’ Review: Brad Pitt and George Clooney Deliver the Ultimate (and Wholesome) Face Off in Jon Watts’ Exciting New Thriller | Venice
The harsh sound of glass breaking.“Shit!,” we hear a woman exclaim while the opening scene soars over night-time Manhattan. Blinds slide down over some French... Read More
‘Conclave’ Review: The Audacity of Pope | Telluride
“I took my team through the mud,” said Edward Berger to a packed audience before the world premiere of his latest film, Conclave, on the... Read More
‘The Order’ Review: Jude Law and Nicholas Hoult Face Off in Justin Kurzel’s Hard Boiled Character Study | Venice
Justin Kurzel is no stranger to the world of crime after making Snowtown, The True History of the Kelly Gang and Nitram. The Australian director... Read More
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Director Watch Podcast Ep. 72 – ‘Three Colours: Blue’ (Krzysztof Kieślowski, 1993) 
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