Craig Roberts’ latest sees Mark Rylance delivering the most endearing performance of the year, he is incredibly lovable. Obviously, with The Phantom of the Open... Read More
Reviews
To make a successful film adaptation of a video game is to understand the strengths and limitations of both mediums. Amongst the many differences, the... Read More
Jacques Audiard’s latest is a tender, dream-like tale about people seeking true connection. Paris, 13th District marks Audiard’s first step back to his native language... Read More
At one point during the Episode 4 Reward Challenge of Survivor 41, Jeff Probst (clumsily) mentions how much he loves when the castaways become vulnerable,... Read More
Coming off the Ruth Wilson-starring film Dark River, Clio Bernard’s new film, Ali & Ava, is a sensitive exploration of two complexly troubled people, who... Read More
Take it from someone who has lived here for all of his twenty-five years: Englanders, for the most part, are so blinded by exceptionalism as... Read More
When you’re at a festival populated by indie slow-burners, a maudlin, easy-to-watch soap opera can be a wonderful, soupy balm. Just before the pandemic sent... Read More
After starting out as a scrappy, well-written drama series on Lifetime and quickly spiraling into an overnight success thanks to new swathes of viewers after... Read More
There’s something inherently fascinating about taking a short story and extending it to a feature film that asks for a three-hour runtime. You can sit... Read More
Play to film adaptations have always been a thing, but it seems like over the past few years they have really started to become a... Read More

‘The Phantom of the Open’ review: Mark Rylance hits an ace in endearing sports comedy [Grade B+] (London Film Festival)
Review: ‘Detention’ (返校) tests the storytelling boundaries of video game and film [Grade: B-]
‘Paris, 13th District’ review: Noémie Merlant shines in a tender, yet dreamy tale of human connection [Grade: A] (London Film Festival)
Previously on… ‘Survivor’ recap: S41 E4 – “Lions for Sacrificial Lambs”
‘Ali & Ava’ review: A well-rounded, typically British, social realist study [Grade: B] (London Film Festival)
‘Great Freedom’ review: Franz Rogowski is transformative in this sombre period prison drama [Grade: A-] (London Film Festival)
‘The Tender Bar’ review: Ben Affleck raises the bar in George Clooney’s largely inept newest directorial outing [Grade: D+] (London Film Festival)
‘You’ season 3 review: There goes the neighborhood as body counts rise faster than house prices [Grade: B-]
NYFF Review: Ryusuke Hamaguchi’s 3-hour ‘Drive My Car (ドライブ・マイ・カー)’ is a detailed and meticulous ride that will quietly reward your patience [Grade: B+]
‘The Humans’ review: Richard Jenkins and Jayne Houdyshell marvel in the year’s most haunting film – Nashville Film Festival [Grade: A]
Motion Picture Sound Editors (MPSE) Announce Dates for 2027 and 2028 Awards
Director Watch Podcast Ep. 148 – ‘Peeping Tom’ (Powell, 1960)
2026 Chicago Critics Film Festival top Open with Olivia Wilde’s ‘The Invite,’ Announces Special Guests and Recipients of 2026 Emerging Critics Grant
The 79th Cannes Film Festival Lineup is Here, With A Strong Global Slate of Films from Ryusuke Hamaguchi, Cristian Mungiu, Jane Schoenbrun, and More