1972’s Boxcar Bertha is an often overlooked, critically debated entry into Martin Scorsese’s filmography, mostly because it is a departure from his usual themes and... Read More
Reviews
There is no official theme to Survivor 41, but “risk vs. reward” might as well be. From the producer-implemented twists to the cast’s organic gameplay,... Read More
How do you find the words to speak about the unspeakable? That’s the question at the heart of Mass, and it’s the question every reviewer... Read More
With all of the high tech gadgets, beautiful women, fast cars, exotic locations, diabolical villains, James Bond has been a cinematic icon for close to... Read More
The landscape of Întregalde pierces you with a cold so persistent, you can’t help but shiver with the characters onscreen. Radu Muntean’s drama turns the... Read More
Twenty years since it first hit theaters, Training Day (2001) is likely best remembered as the film that netted Denzel Washington his first Oscar win... Read More
The virtual world in Belle is called “U,” as in it specializes in “you” and what makes each and every person distinctively them. Though the... Read More
As the world awaits the return of the groundbreaking Matrix film franchise in December, it’s worth taking a moment to celebrate the 25th anniversary this... Read More
It’s probably better for you as a moviegoer to just take my word for it and go see Titane as blind as possible. There are... Read More
Melissa McCarthy and Theodore Melfi have shared similarities in their bodies of work. Both getting their names and work known through comedic roots, both would... Read More

Martin Scorsese’s timeless ‘Boxcar Bertha’ and the Marxist undertones of his often overlooked early classic [Retrospective]
Previously on… ‘Survivor’ recap: S41 E2 – “The Butterfly Effect”
‘Mass’ review: Ann Dowd gives the performance of her career in Fran Kranz’s breathtaking and empathetic debut feature [Grade: A]
‘No Time to Die’ review: Daniel Craig’s epic final entry as James Bond cements him as the best 007 ever [Grade: A-]
NYFF Review: Radu Muntean’s Transylvanian horror ‘Întregalde’ finds true terror in the seemingly mundane [Grade: A-]
‘Training Day’ at 20: Welcome back to the jungle [Retrospective]
NYFF Review: ‘Belle’ (竜とそばかすの姫) will make your heart sing [Grade: A-]
‘Bound’ at 25: The mold-breaker of queer cinema still has us tied up after all these years [Retrospective]
NYFF Review: Cinema just took a huge dose of adrenaline with ‘Titane’ and gasped for air [Grade: A]
‘The Starling’ review: Theodore Melfi’s breakup dramedy flies on a broken wing [Grade: C-]
‘The Comeback’ Season 3 Review: Cherish is the Word I Use to Describe Lisa Kudrow [A-]
‘Tow’ Review: Rose Has Plenty to Byrne But In Woefully Uninspired Vehicle [C+]
‘They Will Kill You’ Review: Zazie Beetz’s Final Girl Slays in Gonzo Satanic Slasher [B+] SXSW
American Film Institute (AFI) Announces 2027 Date for AFI AWARDS Honorees-Only Event