The two most important lines in Dune come at the very beginning and the very end. First, when Duke Leto (Oscar Isaac) tells princeling son... Read More
Reviews
A spiky icon and a gentle iconoclast, Diana Spencer occupies a place in the public consciousness of Britain and the rest of the world which... Read More
“Thank you to my sources of inspiration: Federico Fellini, Talking Heads, Martin Scorsese and Diego Armando Maradona.” When Paolo Sorrentino went on stage to accept... Read More
“Deliver my soul from the sword. My love from the power of the dog” (Psalms, 22:20, David’s address to God to free him from his... Read More
No matter how hard we try to escape it, we’re all children of history. It defines the life of a country and, by consequence, that... Read More
“If not for the money, why play?” – “It passes the time,” says professional gambler William Tell (Oscar Isaac) when prompted to justify his string... Read More
Near the end of the latest film adaptation of tale-as-old-as-time Cinderella, Minnie Driver shudders a deep sigh and witheringly intones, “What fresh hell is this?”... Read More
It’s been twenty years since the horrific events of September 11th, 2001, a day where the United States was shaken to its absolute core. Everyone... Read More
There’s an atypical lead at the center of Everybody’s Talking About Jamie. A reed-thin teenage boy with platinum blonde hair and the confidence of someone... Read More
With YouTubers like Flula Borg, Lily Singh, and Anna Akana able to successfully parlay internet stardom into a career in Hollywood, it was only a... Read More

Venice review: Denis Villeneuve’s ‘Dune’ is a gripping and visually arresting opener to an exciting universe [Grade: A]
Venice review: Kristen Stewart delivers a career-best performance in a fitting and fantastic look at an accidental revolutionary in ‘Spencer’ [Grade: A]
Venice Review: ‘The Hand of God’ is Paolo Sorrentino’s sublime masterpiece [Grade: A]
Venice Review: With ‘The Power of the Dog,’ Jane Campion and her cast do justice to a literary masterpiece
Venice Review: ‘Parallel Mothers (Madres Paralelas)’ is a powerful portrayal of mothers in Almodóvar’s most political film
Venice review: The road to redemption is a long and rocky one in Paul Schrader’s ‘The Card Counter’ [Grade: A]
‘Cinderella’ review: Billy Porter soars, Camila Cabello strains in a jukebox musical that lands like a lead slipper
‘Worth’ review: Michael Keaton delivers in this subtle, harrowing look at the people left behind on September 11th
‘Everybody’s Talking About Jamie’ review: Rose-colored to a fault, but with its queer heart firmly in the right place
‘He’s All That’ review: Addison Rae’s gender-swapped flop pales in comparison to the original
‘I Want Your Sex’ Review: Cooper Hoffman and Olivia Wilde Get Natural and Habitual in Gregg Araki’s Surprisingly Insightful Dom-Com [B+] | Sundance
Denver Film Critics Society (DFCS) Awards: ‘Sinners’ Tops Wins with Film and Director
‘The Moment’ Review: Charli xcx is brat+ in Trappings of Fame Mock Doc [B] | Sundance
Frontrunner Friday: First Take on 2026 Oscar Winner Predictions