Melissa McCarthy and Theodore Melfi have shared similarities in their bodies of work. Both getting their names and work known through comedic roots, both would... Read More
Reviews
Eléonore Yameogo, An van Dienderen, Rosine Mbakam’s Prism may spark an entirely new conversation about racial bias in filmmaking, namely the “problem” of calibrating non-white skin tones.... Read More
Joel Coen’s The Tragedy of Macbeth premiered at the New York Film Festival with little fanfare—a morning screening, a press conference with COVID-induced microphone restrictions,... Read More
To this day, I still feel a close kinship with the disenfranchised, strung-out, narcoleptic gay hustler of Gus Van Sant’s My Own Private Idaho. The... Read More
A trilogy first published in the 1950s, Isaac Asimov’s sprawling narrative spans millennia, follows tyrannical galactic dynasties, imagines opaque and cult-like religions, depicts advanced technology... Read More
It’s been 16 months since the last episode of U.S. Survivor, and Jeff Probst and company aren’t pretending otherwise. From the start of the Survivor... Read More
From the moment the Dear Evan Hansen trailer debuted a couple of months ago, it was marred with controversy. Fans of the show and casual... Read More
“Dear God, it’s all so tragic And I’ll never have the chance To feel the closure that I ultimately need…” These are some of the... Read More
Even before it reached Western shores for its premiere as the closing night film of the Toronto International Film Festival, Zhang Yimou’s One Second was... Read More
Julie Cohen and Betsy West’s Julia opens with a clip of Julia Child introducing her TV audience to “the chicken sisters,” the six headless fowl... Read More

‘The Starling’ review: Theodore Melfi’s breakup dramedy flies on a broken wing [Grade: C-]
NYFF Review: Engrossing ‘Prism’ doc examines how photographic technologies favor white skin, questions the “neutral camera” [Grade: A]
‘The Tragedy of Macbeth’ NYFF review: A beautiful film, full of sound and fury, signifying nothing [Grade: B]
‘My Own Private Idaho’ at 30: Revisiting the seminal arthouse indie through the eyes of a lonely, horny teenager [Retrospective]
TV Review: With ‘Foundation,’ AppleTV finds its ‘Game of Thrones’ [Grade: A]
Previously on…”Survivor” recap: S41 E1 – “Come on in, folx”
‘Dear Evan Hansen’ review: The renowned Broadway musical becomes a tone deaf examination of teenage anxiety [Grade: D-]
‘Glitter’ 20 years later: How its legacy and Mariah Carey have continued to shine
TIFF Review : Zhang Yimou’s ‘One Second’ offers a charming, if compromised, love letter to cinema [Grade: B]
TIFF Review: With ‘Julia,’ Julie Cohen and Betsy West whip up a charming confit of cooking’s most fearless and unlikely personality [Grade: A]
2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers
2026 Tribeca Festival Celebrates 25th Anniversary with World Premieres of ‘Hadestown: The Musical,’ ‘Earth, Wind & Fire’ Doc
Director Watch Podcast Ep. 149 – ‘Killer of Sheep’ (Charles Burnett, 1978)
‘Lee Cronin’s The Mummy’ Review: Careful the Spell You Cast, Children Will Listen (and Sometimes Kill) [C]