There exists a spectrum of sad movies that are about kids but not for kids. On the lowest end of the spectrum, something like Spike... Read More
Reviews
Estranged brothers Sandy (Brian Cox) and Donal (Alan Cumming) have neither seen nor spoken to each other in over three decades. After their mother passed... Read More
After Miguel de Cervantes wrote the most famous novel of all time—El Quijote— in the early 1600s, it became so instantly popular that apocryphal sequels... Read More
Nia DaCosta’s fun, feminist Ibsen reimagining, Hedda, opens with a quote from another playwright. Instead of referencing Ibsen himself or another literary staple of the... Read More
Earlier this year, the Los Angeles metropolitan area and San Diego County faced some of the worst wildfires in the country’s history. Complete sections of... Read More
“Timeless” is a word that gets thrown around a lot, particularly by movie critics to describe films that have lasting power because they are enjoyed... Read More
Alex Winter hasn’t directed a narrative feature film since 2015’s Smosh: The Movie. In some sense, you could say we haven’t gotten a real Alex... Read More
It’s typical and expected from every year that a handsomely crafted historical drama would come along and remind audiences of a certain part of WWII... Read More
After maintaining his scream king title recently thanks to projects like the Smile films and Strange Darling, Kyle Gallner makes a pivot to romantic anti-hero... Read More
You can, of course, leave it to Steven Soderbergh of all people to make a biting and salient drama about the ways we value and... Read More

‘The President’s Cake’ Review: Hasan Hadi’s Layered Drama is as Entertaining as it is Compelling [A-] TIFF
‘Glenrothan’ Review: A Likable Cast Can’t Elevate Brian Cox’s Bottom-of-the-Barrel Scottish Family Dramedy [D] TIFF
‘The Captive’ Review: Alejandro Amenábar’s Account of Cervantes as a Teller of Tales is Itself a Powerful Lesson in Storytelling [A] TIFF
‘Hedda’ Review: Tessa Thompson Seduces and Destroys in Nia DaCosta’s Sexy, Stylish Spin on a Classic [B+] TIFF
‘The Lost Bus’ Review: Paul Greengrass and Company are Running on Empty in Undercooked True Life Survival Drama [D] TIFF
‘Train Dreams’ Review: Joel Edgerton Shines in Contemplative Drama About Life and Technological Progress [A-] TIFF
‘Adulthood’ Review: Alex Winter’s Suburban Neo-Noir Dark Comedy is Dead on Arrival [C-] TIFF
‘Nuremberg’ Review: James Vanderbilt’s Historical Thriller Looks at When Perpetrators of Systematic Genocide Used to be Brought to Justice [A-] TIFF
‘Carolina Caroline’ Review: Kyle Gallner and Samara Weaving Rob and Throb in Old-School Crime Drama of Lovers on the Run [A-] TIFF
‘The Christophers’ Review: Ian McKellen is an Irritable, Aging Painter in Steven Soderbergh’s Warm and Funny Chamber Drama About Artistic Integrity [B+] TIFF
American Film Institute (AFI) Announces 2027 Date for AFI AWARDS Honorees-Only Event
SXSW 2026 Reviews: ‘Family Movie,’ ‘Crash Land,’ ‘Kill Me’
San Quentin Film Festival (SQFF) to Hold Event at Central California Women’s Facility
‘Never After Dark’ Review: Dave Boyle’s Ghostly Spooker Will Keep You Guessing [B] SXSW