Film Review: ‘The Hunt’ aims for Trumpian satire but misses its target
Sensationalism is a powerful marketing tool: just ask ‘50s huckster William Castle, who marketed B-horror…
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Clint Worthington
Clint Worthington is a Senior Writer for Consequence of Sound and the founder and editor-in-chief of The Spool. He also co-hosts and produces the podcasts More of a Comment, Really... and Hall of Faces for The Spool, as well as Travolta/Cage with Nathan Rabin. He lives in Chicago with his wife, his cat, and too many Criterions.
Sundance Review: Lee Isaac Chung’s ‘Minari’ is a poetic and heartfelt masterwork
One of the joys of minari, mischievous grandmother Soonja (Yuh-Jung Youn) tells her equally impish…
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Sundance Review: ‘The Last Shift’ is a contrived, entry level effort
This may be my first year actually attending the Sundance Film Festival, but I know…
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Sundance Review: ‘The Nest’ is an astounding showcase for Carrie Coon
Sean Durkin returns nine years after Martha Marcy May Marlene with a tension-filled slow burn…
