In a March wracked by mass shootings in Atlanta and Boulder, it’s grotesquely fitting that writer-director Megan Park’s debut feature, The Fallout, greeted audiences at... Read More
Clint Worthington
Clint Worthington is a Senior Writer for Consequence of Sound and the founder and editor-in-chief of The Spool. He also co-hosts and produces the podcasts More of a Comment, Really... and Hall of Faces for The Spool, as well as Travolta/Cage with Nathan Rabin. He lives in Chicago with his wife, his cat, and too many Criterions.
Writer/director Sean Ellis may have filmed his werewolf creeper Eight for Silver before the pandemic, but it certainly arrives at an opportune moment. A mysterious... Read More
Sundance has been chock-a-block with films exploring our collective anxieties and traumas surrounding the COVID-19 crisis — from the harrowing accounts out of China from... Read More
2020 was hard on a lot of people, but I feel for youth (especially Black and Brown youth) the most. Not only did the COVID-19... Read More
At first glance, the concept for Pascual Sisto’s debut feature John and the Hole is delightfully devious: a young 13-year-old boy named John (Charlie Shotwell)... Read More
The best way I can think to describe My Entire High School Sinking Into the Sea cartoonist Dash Shaw’s Cryptozoo, the product of years of... Read More
It’s 1986, and Rory O’Hara (Jude Law) is about to export the American Dream to his home country of London in Sean Durkin’s The Nest,... Read More
Jia Zhangke’s firmly established himself as one of China’s most exciting, innovative filmmakers, whether it’s in fiction (as 2018’s meditative Ash is Purest White can... Read More
Victor Kossokofsky loves to prod at the boundaries of what he can do with documentary cinema — 2018’s Aquarela, for instance, asked its audience to... Read More
“When you construct someone as a great man, there’s almost nothing more satisfying than revealing the opposite.” This sentence, uttered early by historian Beverly Gage... Read More
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