NYFF Review: Jia Zhangke takes an unfocused look at Chinese history and literature with ‘Swimming Out Till the Sea Turns Blue’
Jia Zhangke’s firmly established himself as one of China’s most exciting, innovative filmmakers, whether it’s…
Clint Worthington
Clint Worthington is a Senior Writer for Consequence of Sound and the founder and editor-in-chief of The Spool. He also co-hosts and produces the podcasts More of a Comment, Really... and Hall of Faces for The Spool, as well as Travolta/Cage with Nathan Rabin. He lives in Chicago with his wife, his cat, and too many Criterions.
NYFF Review: A humble pig gets her time in the spotlight in gripping nature doc ‘Gunda’
Victor Kossokofsky loves to prod at the boundaries of what he can do with documentary…
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NYFF Review: ‘MLK/FBI’ charts the complexities of a great man and the government agency that worked tirelessly to take him down
“When you construct someone as a great man, there’s almost nothing more satisfying than revealing…
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NYFF Review: ‘Malmkrog’ is a gorgeous, stately slog through frippery and philosophy
It’s Christmas Eve in the late nineteenth century, and snow coats the grounds of the…
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Film Review: ‘The Hunt’ aims for Trumpian satire but misses its target
Sensationalism is a powerful marketing tool: just ask ‘50s huckster William Castle, who marketed B-horror…
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Sundance Review: Lee Isaac Chung’s ‘Minari’ is a poetic and heartfelt masterwork
One of the joys of minari, mischievous grandmother Soonja (Yuh-Jung Youn) tells her equally impish…
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Sundance Review: ‘The Last Shift’ is a contrived, entry level effort
This may be my first year actually attending the Sundance Film Festival, but I know…
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Sundance Review: ‘The Nest’ is an astounding showcase for Carrie Coon
Sean Durkin returns nine years after Martha Marcy May Marlene with a tension-filled slow burn…
