Selected as the Opening Film of this year’s Venice International Film Festival’s Orizzonti section, Tereza Nvotová’s Father features an interesting premise, rarely discussed in film,... Read More
Reviews
If we think about politics in this day and age, our first reaction is probably disgust, disappointment, disillusionment, or outright fear. In a crucial age... Read More
At the opening of Jay Roach’s new film The Roses, with Olivia Colman and Benedict Cumberbatch, the married pair are in therapy, asked to read... Read More
There’s an age-old moviemaking proverb that the new Austin Butler-starring crime thriller Caught Stealing abides by strictly, a sort of promise of destiny that this... Read More
Heroic groups are often brought together by a simple common goal to do good and save the world from evil. However, some are brought together... Read More
In Honey Don’t!, Margaret Qualley’s Honey O’Donahue is handwashing a small but varied assortment of sex toys after a night of wild pleasure with Aubrey... Read More
Online fandom and fame-hunger have gotten so intense in the last decade or so that it’s a bit surprising there haven’t been more films like... Read More
The superhero genre has been a problem for Warner Bros. for some time now. Since director Christopher Nolan’s celebrated The Dark Knight trilogy, their property... Read More
Four years ago, Bob Odenkirk surprised and delighted audiences with his sort of anti-John Wick action movie, Nobody. That film was a modest success at... Read More
The 2020s have been a rather unusual decade to say the least. For a fifth of the time, we were locked inside, quarantined for fear... Read More

‘Father’ Review: Tereza Nvotová’s Examination of a Life Barely Scratches the Surface [C] Venice
‘La Grazia’ Review: Paolo Sorrentino’s Richly Drawn Political Drama of a Leader Who’s Lost his Purpose is One of His Best Films [A] Venice
‘The Roses’ Review: By Any Other Name it Would Still Stink [C-]
Make it a Double Feature: ‘KPop Demon Hunters’ and ‘Thunderbolts*’
‘Honey Don’t!’ Review: The Power of Chris(t) Almost Compels You in Ethan Coen’s Overly Sexualized Yet Sexually Timid Romp [B-]
‘Lurker’ Review: Writer-Director Alex Russell Crafts a Symbiotic Power Struggle with Paranoid Pop Star Thriller [B+]
‘Peacemaker’ Season 2 Review: John Cena Shines in James Gunn’s Wonky Multiverse of Sadness [C+]
‘Nobody 2’ Review: Can Anybody Find Me Somebody to Punch? [B-]
The 25 Best Films of the 2020s So Far
Director Watch Podcast Ep. 136 – ‘Rules Don’t Apply’ (Warren Beatty, 2016)
2026 Oscar Nomination Reactions from Timothée Chalamet, Rose Byrne, Wagner Moura and More
AwardsWatch Podcast Ep. 329 – 98th Oscar Nominations Reactions: For Good
Oscar Nominations: ‘Sinners’ Breaks All Time Record with 16, Sets Several Places in Academy Awards History