SXSW Review: ‘Women Is Losers’ aims high but falls short despite winning performance from Lorenza Izzo
Set in 1960s and 1970s San Francisco, Women Is Losers, cannot be faulted for its ambition. With a higher production value than most first features,... Read More
Reviews
Sorry Not Sorry: The 30 Best Demi Lovato Songs, Ever
There’s an excellent chance that by the time you read this, I will be 40 years old. People think I’m younger, or young-adjacent, because of... Read More
Film Review: In ‘Nobody,’ Bob Odenkirk dips his wick into action hero status
Move over John Wick and make way for Hutch Mansell. Who? Everyone is soon going to become keenly aware of who exactly Hutch and some... Read More
SXSW Review: ‘I’m Fine (Thanks for Asking)’ is just, well, fine
Set during, yet never mentioning, the ongoing pandemic, I’m Fine (Thanks for Asking) follows widowed Danny (Kelley Kali), mother of a young daughter named Wes... Read More
SXSW Review: ‘Ludi’ deftly explores identity and the American Dream with a breakout performance by Shein Mompremier
The greatest thing one can say about art is how it broadens their horizons. Director Edson Jean’s debut feature Ludi certainly had that type of... Read More
SXSW Review: A weaker strain in the era of the COVID comedy, ‘Recovery’ doesn’t commit to the heart of the joke
Written by and starring Mallory Everton and Whitney Call, Recovery doesn’t make any mistake about its time and place. Set in the beginning stages of... Read More
‘RuPaul’s Drag Race’ recap S13 E11: “Soda-Lightful”
Hello, friends and family (everyone who reads our recaps is our family)! Fresh off Makeover Week, our queens are ready to inhabit their own personas... Read More
SXSW Review: Despite a thrilling performance from Leah Purcell, ‘The Drover’s Wife’ never reaches its full potential
When we are little, we are told stories that mold our inspirations as human beings. Some tales are wrapped within decades of different versions and... Read More
SXSW Review: ‘The Fallout’ explores teenage grief with a gentle hand
In an ideal, much safer world, Megan Park’s The Fallout wouldn’t need to exist. Winner of the SXSW Narrative Feature Competition, The Fallout follows high... Read More
SXSW Review: ‘Language Lessons’ finds humanity over laptop screens
Familiarity surrounds Language Lessons, an 80-minute examination of a friendship between a Spanish teacher and her student. Natalie Morales, in her directorial debut, comes with... Read More
Kansas City Film Critics Circle (KCFCC) Awards: ‘One Battle After Another’ Named Best Film 
Utah Film Critics Association (UFCA) Nominations: ‘One Battle After Another,’ ‘Sinners’ Lead 
Women Film Critics Circle (WFCC) Winners: ‘Hamnet,’ ‘If I Had Legs I’d Kick You’ Lead 
Philadelphia Film Critics Circle (PFCC) Winners: ‘One Battle After Another,’ ‘Sinners’ Fight It Out