You can, of course, leave it to Steven Soderbergh of all people to make a biting and salient drama about the ways we value and... Read More
Reviews
“My grandfather once said that happiness isn’t a story.” In the traditional folk song “Silver Dagger,” the lyrics go “All men are false, says my... Read More
In an edition full of surprises and films that moved and provoked audiences at the Venice Film Festival, Ildikó Enyedi’s Silent Friend is perhaps the... Read More
As he enters the office of Meridian Mortgages on a brisk February morning in 1977, Tony Kiritsis (Bill Skarsgård) is visibly on edge, despite the... Read More
In this review roundup out of the 2025 Toronto International Film Festival, three films from across the world, over three different genres, explore similar issues... Read More
The latest whodunit from writer-director Rian Johnson, Wake Up Dead Man, starts with a confession; not one of guilt or sin, but of absolute truth.... Read More
During the end credits of Roofman, a series of news clips and interviews of people who came into contact with the notorious “Roofman” robber are... Read More
Of the many fascinating aspects of Japan as a nation and culture, one particular feature that stands out is its remarkable subculture of bizarre rental... Read More
Satire and farce make for appealing cinema because they give additional room to directors willing to exercise that creative license. Such is the case with... Read More
Sofia Coppola’s Marc by Sofia could only ever have been made by Sofia Coppola. On paper it is a straightforward proposition: a celebrated filmmaker turns... Read More

‘The Christophers’ Review: Ian McKellen is an Irritable, Aging Painter in Steven Soderbergh’s Warm and Funny Chamber Drama About Artistic Integrity [B+] TIFF
‘The History of Sound’ Review: Paul Mescal and Josh O’Connor’s Tender Romance is a Silver Dagger to the Heart [A-]
‘Silent Friend’ Review: Ildikó Enyedi’s Hypnotic Saga is One of the Year’s Best Films [A] Venice
‘Dead Man’s Wire’ Review: Gus Van Sant Crafts a Kinetic Dog Day Afternoon for Bill Skarsgård [B+] Venice
2025 Toronto International Film Festival Reviews: ‘The Fence,’ ‘Fuze,’ ‘Good Fortune’
‘Wake Up Dead Man’ Review: Rian Johnson’s Latest Puzzlebox Takes Benoit Blanc to Church on an Unholy Whodunit [A-] TIFF
‘Roofman’ Review: Channing Tatum Charms but Derek Cianfrance’s Eccentric True Crime Dramedy Puts Too Much Stock in the Fables of Its Subject [C+] TIFF
‘Rental Family’ Review: Brendan Fraser is a Conduit for Loneliness in Hikari’s Found in Translation [B+] TIFF
‘Sacrifice’ Review: Romain Gavras’ Environmentalism Parody Self-Immolates at the Altar of Absurdity [B-] TIFF
‘Marc by Sofia’ Review: Coppola’s Friendly Look at a Fashion Titan Leaves Some of its Seams Showing [B-] Venice
Laura Dern, Carol Burnett, Cameron Crowe Added to TCM Classic Film Festival; Rare ‘Letty Lynton’ Restoration Set
Academy Award-winning Filmmaker Steven Bognar Boards Yael Bridge’s ‘Who Moves America’ Doc as Executive Producer [EXCLUSIVE]
‘Euphoria’ Season 3 Review: What’s Left to Do for the Teens of East Highland High but to Rue the Day [C+]
Alana Haim and Mamoudou Athie on Supporting Each Other Through ‘The Drama’