Yorgos Lanthimos is back at the Lido with one of his most fascinating, multi-layered and daring films. In Bugonia, the subversive filmmaker manages to tackle... Read More
Reviews
Werner Herzog’s irreverent stoicism, which seems to get an ounce cheekier every year, does some heavy lifting in a documentary which might otherwise border on... Read More
Selected as the Opening Film of this year’s Venice International Film Festival’s Orizzonti section, Tereza Nvotová’s Father features an interesting premise, rarely discussed in film,... Read More
If we think about politics in this day and age, our first reaction is probably disgust, disappointment, disillusionment, or outright fear. In a crucial age... Read More
At the opening of Jay Roach’s new film The Roses, with Olivia Colman and Benedict Cumberbatch, the married pair are in therapy, asked to read... Read More
There’s an age-old moviemaking proverb that the new Austin Butler-starring crime thriller Caught Stealing abides by strictly, a sort of promise of destiny that this... Read More
Heroic groups are often brought together by a simple common goal to do good and save the world from evil. However, some are brought together... Read More
In Honey Don’t!, Margaret Qualley’s Honey O’Donahue is handwashing a small but varied assortment of sex toys after a night of wild pleasure with Aubrey... Read More
Online fandom and fame-hunger have gotten so intense in the last decade or so that it’s a bit surprising there haven’t been more films like... Read More
The superhero genre has been a problem for Warner Bros. for some time now. Since director Christopher Nolan’s celebrated The Dark Knight trilogy, their property... Read More

‘Bugonia’ Review: Jesse Plemons Gives a Masterful Performance in Yorgos Lanthimos’s Plea for Eco-Empathy [A-] Venice
‘Ghost Elephants’ Review: Werner Herzog Adds Characteristic Existential Poignancy to Entertaining Nature Doc [B] Venice
‘Father’ Review: Tereza Nvotová’s Examination of a Life Barely Scratches the Surface [C] Venice
‘La Grazia’ Review: Paolo Sorrentino’s Richly Drawn Political Drama of a Leader Who’s Lost his Purpose is One of His Best Films [A] Venice
‘The Roses’ Review: By Any Other Name it Would Still Stink [C-]
Make it a Double Feature: ‘KPop Demon Hunters’ and ‘Thunderbolts*’
‘Honey Don’t!’ Review: The Power of Chris(t) Almost Compels You in Ethan Coen’s Overly Sexualized Yet Sexually Timid Romp [B-]
‘Lurker’ Review: Writer-Director Alex Russell Crafts a Symbiotic Power Struggle with Paranoid Pop Star Thriller [B+]
‘Peacemaker’ Season 2 Review: John Cena Shines in James Gunn’s Wonky Multiverse of Sadness [C+]
‘Mint’ Review: Ambition Outpaces Impact in ‘Snapper’ Director Charlotte Regan’s Stylish BBC Crime Drama Series [C+] Berlinale
‘17’ Review: Kosara Mitić’s Devastating Debut Exposes the Cost of Silence and Complicity [B] Berlinale
Vancouver Film Critics Circle (VFCC) Winners: ‘One Battle After Another,’ ‘Sinners’ Take Top Awards
Sundance Film Festival Announces 2027 Dates, Boulder Venues