There’s an exchange in Frank Darabont’s film The Mist where two characters trapped in a supermarket at the end of the world discuss whether having faith in... Read More
Reviews
One of the joys of minari, mischievous grandmother Soonja (Yuh-Jung Youn) tells her equally impish 7-year-old grandson David (Alan Kim), is that the Korean herb... Read More
The Glorias, directed by Julie Taymor based on the book “My Life on the Road” by Gloria Steinem, shows the confluence of “Glorias” who powered... Read More
Alongside American popular culture’s regression into a seemingly single-minded fixation on superhero storytelling and the live-actioning of animated features there’s been a third, darker strand... Read More
Revenge has largely been a male domain in Hollywood, but, lately, there have been plenty of movies featuring female characters seeking to right some very... Read More
This may be my first year actually attending the Sundance Film Festival, but I know the hallmarks of the “Sundance film” when I see one.... Read More
Sean Durkin returns nine years after Martha Marcy May Marlene with a tension-filled slow burn “What do you do for a living?” a cab driver... Read More
Nicole Beharie establishes herself as one of Hollywood’s most underrated talents with her strong and heartfelt performance as Turquoise Jones in Channing Godfrey Peoples first... Read More
My very first job interview when I moved to New York twenty years ago was to be the personal assistant to an award-winning and highly... Read More
Revenge is a dish served ice cold in Emerald Fennell’s directorial debut film premiering at Sundance 2020, Promising Young Woman. This film is more than... Read More

Film Review: ‘The Lodge’ is traumatically delicious
Sundance Review: Lee Isaac Chung’s ‘Minari’ is a poetic and heartfelt masterwork
Sundance Review: Despite good performances ‘The Glorias’ can’t liberate itself from convention
Film Review: ‘Gretel & Hansel’ is a mixed bag of tricks and treats
Film Review: ‘The Rhythm Section’ is way off beat
Sundance Review: ‘The Last Shift’ is a contrived, entry level effort
Sundance Review: ‘The Nest’ is an astounding showcase for Carrie Coon
Sundance Review: ‘Miss Juneteenth’ avoids tropes to find truth in the Black experience
Film Review: Julia Garner is absolutely revelatory in Kitty Green’s taut, #MeToo drama ‘The Assistant’
Sundance Review: ‘Promising Young Woman’ wants to get rid of toxic in community
‘Pretty Lethal’ Review: Vicky Jewson’s Bloody, Ballistic Ballet is Never Quite On Pointe [C] SXSW
Frameline Announces 2026 Completion Fund Grantees Ahead of 50th LGBTQ+ Festival
SXSW 2026 Reviews: ‘Ready or Not 2: Here I Come,’ ‘Over Your Dead Body,’ ‘Power Ballad’
The Awards Alchemist’s Recap of the 2026 Oscars