For those who were in awe of the writing and execution of episode six, brace yourself for an episode which in many ways surpasses last... Read More
Reviews
Striptease – “However the entire thing ended up being a mess, and I can only hope I can erase the image of Burt Reynolds in... Read More
With a storied history dating back to the Napoleonic Wars (the Walcheren campaign of 1809), the 2nd Battalion of the Devonshire Regiment risks sending 1,600... Read More
Watchmen had the best episode of its season tonight and I’m not even sure it’s close (when comparing it to the others). The cinematography, writing,... Read More
The United States is a country with great pride. No matter what internal divisions we may have, we, as a people, have always proved our... Read More
It’s sometimes easy to forget that film is an art form. And, as with any art, the enjoyment or quality of a movie is subjective. ... Read More
The internal struggles of a character are often the most difficult to portray in a visual medium. Filmmakers have to find clever and interesting ways... Read More
My apologies to those who have grown accustomed to seeing this recap on awardswatch.com. Where did we sneak off to last week? Perhaps we were... Read More
We can talk a lot about films being relevant or tapping into the zeitgeist, but perhaps no other film I’ve seen this year is or... Read More
Mental health has been a topic that has emerged from the shadows as more and more people have opened up about their struggles. It hasn’t... Read More

TV Recap: 'Watchmen' Season One Episode Seven – "An Almost Religious Awe"
Retrospective: Worst Picture/Best Picture – Striptease and The English Patient (1996)
Review: ‘1917’
TV Recap: ‘Watchmen’ Season One Episode Six – “The Extraordinary Being”
AFI FEST Review: Barbara Kopple’s ‘Desert One’ is a staggering, indelible must-see
AFI FEST Review: ‘Ivana the Terrible’
AFI FEST Review: ‘Love Me Tender’
TV Recap: ‘Watchmen’ Season One Episode Four and Five
AFI FEST Review: Alex Gibney’s ‘Citizen K’ is a warning call
AFI FEST Review: ‘Anne at 13,000 ft’ is centered by a nuanced performance from Deragh Campbell
‘Pretty Lethal’ Review: Vicky Jewson’s Bloody, Ballistic Ballet is Never Quite On Pointe [C] SXSW
Frameline Announces 2026 Completion Fund Grantees Ahead of 50th LGBTQ+ Festival
SXSW 2026 Reviews: ‘Ready or Not 2: Here I Come,’ ‘Over Your Dead Body,’ ‘Power Ballad’
The Awards Alchemist’s Recap of the 2026 Oscars