Belgian brothers in both blood and cinema, Jean-Pierre and Luc Dardenne have long been masters of portraying the gritty realities of working-class life in their... Read More
Reviews
Early in Kelly Reichardt’s new anti-heist film, The Mastermind, J.B. Mooney (Josh O’Connor) stops in front of a security guard on his way out of... Read More
The Cannes Film Festival can present a variety of options for cinephiles to consume over the course of the close to two-week event. Within an... Read More
Steven Spielberg’s Jaws turns 50 years old on June 20th and its cinematic significance can’t be understated. Its colossal financial success gave birth to the... Read More
“It’s a reinterpretation – not a remake!” This is what Spike Lee said back in September 2024 about his latest joint Highest 2 Lowest, inspired... Read More
Each new film by Jafar Panahi feels like a blessing, especially since the Iranian filmmaker has been subject to prison, house arrests, travel and work... Read More
Following the unexpected successes, both critical and commercial (in its native China at least), of 2018’s Long Day’s Journey Into Night, Bi Gan returns with... Read More
Growing up in an old house means getting used to its little idiosyncrasies, just as you would with any other family member. It’s the one... Read More
From the opening frame of Lynne Ramsay’s fifth feature film, Die My Love, we see a house in shambles. A once promising place full of... Read More
In spite of Iran’s excessively punitive stifling of artistic expression, its filmmakers continue to knock it out of the park even at the risk of... Read More

‘Young Mothers’ Review: The Dardennes Mine Emotional Trauma and Resilience of Teen Motherhood [B-] Cannes
‘The Mastermind’ Review: Josh O’Connor is Caught Stealing in Kelly Reichardt’s Vietnam Era Portrait of an Art Thief [A-] Cannes
2025 Cannes Film Festival Reviews: ‘The Secret Agent,’ ‘My Father’s Shadow,’ ‘The Plague,’ ‘Splitsville,’ ‘Arco’
‘Dangerous Animals’ Review: Jai Courtney Chews More Scenery Than His Shark Co-Stars [B] Cannes
‘Highest 2 Lowest’ Review: Spike Lee Reunites with Denzel Washington and Scores a Smash Hit with His Kurosawa Reinterpretation [B+] Cannes
‘It Was Just an Accident’ Review: Jafar Panahi Gives Human Answers to Complex Moral Conundrums [B] Cannes
‘Resurrection’ Review: Let Bi Gans Be Bi Gans [A] Cannes
‘Sentimental Value’ Review: Joachim Trier Constructs a Searing, Tender Family Drama [A] Cannes
‘Die My Love’ Review: Jennifer Lawrence is Grace Under Fire in the Best Performance of her Career [A] Cannes
‘Woman and Child’ Review: Saeed Roustaee’s Iranian Mother Melodrama Finds a Family Torn Part [A-] Cannes
Producers Guild (PGA) and Screen Actors Actors Guild (SAG) Awards Predictions: More ‘One Battle’ vs ‘Sinners’ Provide the Final Showdowns Before Oscar
‘Mint’ Review: Ambition Outpaces Impact in ‘Snapper’ Director Charlotte Regan’s Stylish BBC Crime Drama Series [C+] Berlinale
‘17’ Review: Kosara Mitić’s Devastating Debut Exposes the Cost of Silence and Complicity [B] Berlinale
Vancouver Film Critics Circle (VFCC) Winners: ‘One Battle After Another,’ ‘Sinners’ Take Top Awards