Composer, music producer, and filmmaker Flying Lotus openly expressed at the SXSW premiere of his new film Ash that the film is heavily inspired by... Read More
Reviews
It’s all too easy to say that Friendship, the debut film from writer-director Andrew DeYoung starring Tim Robinson, plays like a feature-length version of I... Read More
Glorious Summer is a well-lensed, intriguing odyssey into a sun-drenched hellscape. In its own way, it shows that much as life away from the commonplace... Read More
You’d be pretty hard-pressed to find a post-apocalyptic film that doesn’t feel cobbled together from a storied history of derivative parts. Stories of loners, families,... Read More
The horror genre is arguably the most forgiving genre when it comes to reinventing the chainsaw, as in you really don’t have to do much... Read More
What do you get when you mix fatherhood anxiety with male loneliness and a touch of aliens? The result is Descendent, a thoughtful piece of... Read More
The Baltimorons is Jay Duplass’ first original feature film in 14 years. One half of the American independent cinema duo heavyweights of the aughts and... Read More
In my first dispatch for the 2025 SXSW Film Festival, I take a look at three of the headliners from the festival line-up that features... Read More
I’ve always been scared my eventual life partner would kill me. Perhaps not in the traditional sense of being murdered, but the loss of life... Read More
Have you ever almost drowned, then subsequently been released from prison only to start looking towards the life you lost while in there? It might... Read More

‘Ash’ Review: In Her First Lead Role, Eiza González Channels Her Inner Ripley in Video Game Style Psychedelic Headtrip [B-] | SXSW
‘Friendship’ Review: Tim Robinson Goes Off the Rails in this Hilarious, Bizarre Platonic Breakup Comedy [B+] | SXSW
‘Glorious Summer’ Review: Helena Ganjalyan and Bartosz Szpak Create a Gilded Cage of False Freedom in Richly Lanthimosian Odyssey [B+] | SXSW
‘40 Acres’ Review: A Familiar Post-Apocalypse Setting Gives Way to Socio-Political Critique and Cannibal Horror [B+] | SXSW
‘Clown in a Cornfield’ Review: Scream Queens and a Killer Joker Slash Their Way Through Clever Horror Throwback [B] | SXSW
‘Descendent’ Review: A Moving and Reflective Tale of Fatherhood, Male Loneliness, and Aliens [B+] | SXSW
‘The Baltimorons’ Review: Jay Duplass Returns with an Endearing, Bittersweet Christmas Eve Romance [B] | SXSW
SXSW 2025 Reviews: ‘Another Simple Favor,’ Death of a Unicorn,’ ‘The Accountant 2’
‘Together’ Review: Dave Franco and Alison Brie Dare and Delight in a Blood-Soaked Flesh for Fantasy [A-] | SXSW
‘Government Cheese’ TV Review: David Oyelowo (Barely) Rises Above in 1960s American Dream Comedy That Can’t Decide What It Wants to Be [C-]
American Film Institute (AFI) Announces 2027 Date for AFI AWARDS Honorees-Only Event
SXSW 2026 Reviews: ‘Family Movie,’ ‘Crash Land,’ ‘Kill Me’
San Quentin Film Festival (SQFF) to Hold Event at Central California Women’s Facility
‘Never After Dark’ Review: Dave Boyle’s Ghostly Spooker Will Keep You Guessing [B] SXSW