In part one of three sets of capsule reviews from the 2024 Telluride Film Festival, I take a look at Conclave, Nickel Boys and Maria.... Read More
Reviews
At the 51st Telluride Film Festival, Saoirse Ronan became one of the youngest actors to be recognized with the prestigious Silver Medallion, honoring her versatile... Read More
Pierre (Vincent Lindon) is a fifty-something single father who works night shifts for the SNCF (the French railway) as a mechanic/engineer and spends his free... Read More
Luca Guadagnino’s Queer, adapted from William S. Burroughs’ novel, opens with a nostalgic nod to Call Me By Your Name, using a splashy blue font... Read More
Five years after Joker (2019) premiered at the Venice Film Festival, where it was awarded the top prize, director Todd Phillips and star Joaquin Phoenix... Read More
Stories observing the lives of the wealthy elite are ubiquitous in modern cinema. Whether the film is as daring and precise as Parasite or as... Read More
Malcolm Washington’s directorial debut, The Piano Lesson, doesn’t start out like the original source material from stage by the legendary playwright August Wilson. Instead of... Read More
We often associate the term dystopia with films or novels, fictional stories detached to some degree from our reality, but perhaps we already reside within... Read More
French auteur Jacques Audiard’s Emilia Pérez took the Cannes Film Festival by storm, winning the Jury Prize as well as the Best Actress award, shared... Read More
From the moment Jason Reitman’s Saturday Night begins, the clock is ticking as it leads up to the first ever taping of Saturday Night Live,... Read More

2024 Telluride Film Festival Capsule Reviews: ‘Conclave,’ Nickel Boys,’ ‘Maria’
‘The Outrun’ Review: Saoirse Ronan is Towering in Sensitive Yet Uneven Recovery Drama | Telluride
‘The Quiet Son (Jouer avec le feu)’ Review: We’ve Seen This Vincent Lindon-led French Family Drama Before | Venice
‘Queer’ Review: Daniel Craig is Perfect and Drew Starkey is Revelatory in Luca Guadagnino’s Gay Chiaroscuro of Dreams and Desperation | Venice
‘Joker: Folie à Deux’ Review: Joaquin Phoenix and Lady Gaga Sing and Dance a Deranged Duet of Musical Mischief | Venice
‘The End’ Review: It’s An End of the World Musical As We Know It (and It’s Not Fine) | Telluride
‘The Piano Lesson’ Review: Malcolm Washington’s Promising Debut Feature Makes Him One to Watch Out For | Telluride
‘2073’ Review: Asif Kapadia Conjures a Taut Sci-Fi Thriller in a Post-Apocalyptic World | Venice
‘Emilia Pérez’ Review: Women on the Verge of a Nervous Breakdance | Telluride
‘Saturday Night’ Review: Cocaine, Mom Jokes and a Race Against the Clock Punctuate Jason Reitman’s Tribute to the First Night of ‘SNL’ | Telluride
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10