The recent success of A Quiet Place: Day One has proven that audiences haven’t yet tired of dystopian survival horror, and based on its marketing,... Read More
Reviews
Parenthood can be hard, time consuming and daunting – but it can also be selfish. Beyond the desire to have a child that carries your... Read More
The ficus religiosa envelops its tendrils around another tree. That is how this species of figs begins its growth. It proceeds to weave its tendrils... Read More
There are only so many ways to capture an icon on film. In Elton John’s case, there are now two. In 2019’s Rocketman, the superstar’s... Read More
While watching Eden, it’s hard to imagine what you’re seeing on screen actually happened. But perhaps that’s the entire point of the film: the crazier... Read More
Fresh off a well-deserved Orizzonti Award win for Best Screenplay at the Venice Film Festival, Scandar Copti’s Happy Holidays lands at TIFF and does not... Read More
A car passes along a dark road at night, then stops when a body appears. The driver, dressed like Missy Elliot in the music video... Read More
The most successful actor-turn-directors tend to be those who have a clearly-defined voice that they are able to transfer from in front of the camera... Read More
Award-winning cinematographer Rachel Morrison (the first woman ever Oscar-nominated for cinematography) makes her feature debut with The Fire Inside, an earnest yet conventional picture that... Read More
“Do I contradict myself? Very well then I contradict myself, (I am large, I contain multitudes.)” So goes Walt Whitman’s classic poem “Song of Myself.”... Read More

‘Never Let Go’ Review: Halle Berry Wigs Out in Spooky, Effective Supernatural Thriller
‘The Assessment’ Review: Alicia Vikander Gives Parental Guidance in Mother Off with Elizabeth Olsen | TIFF
‘The Seed of the Sacred Fig’ Review: Mohammad Rasoulof’s Scathing Indictment of Iran’s Lack of Justice System | TIFF
‘Elton John: Never Too Late’ Review: The Award-Winning Musician Sings a Final Farewell to His Fans and For Himself | TIFF
‘Eden’ Review: Ron Howard Delivers His Most Exciting Project in Years with Too Wild To Be True Sexy Social Thriller | TIFF
‘Happy Holidays’ Review: Scandar Copti’s Winning Screenplay Offers an Unflinching Look at the Impossibilities of Integration | TIFF
‘On Becoming a Guinea Fowl’ Review: Rungano Nyoni Blends Fantasy and Reality in Daring Story of Generational Trauma and Relief | TIFF
‘The Deb’ Review: Not Quite a Rebel Yell But Wilson’s Dynamic Directorial Debut Delights | TIFF
‘The Fire Inside’ Review: Rachel Morrison’s Directorial Feature debut is a Sincere Yet Unremarkable, By-the-Numbers Sports Biopic | TIFF
‘The Life of Chuck’ Review: Mike Flanagan’s Offbeat Stephen King-Based Tom Hiddleston Drama Mostly Hits the Mark | TIFF
2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers
2026 Tribeca Festival Celebrates 25th Anniversary with World Premieres of ‘Hadestown: The Musical,’ ‘Earth, Wind & Fire’ Doc
Director Watch Podcast Ep. 149 – ‘Killer of Sheep’ (Charles Burnett, 1978)
‘Lee Cronin’s The Mummy’ Review: Careful the Spell You Cast, Children Will Listen (and Sometimes Kill) [C]