‘The Bikeriders’ Review: Jeff Nichols’ Greaser Gang Takes a Road to Nowhere | Telluride
Around five years ago, director Jeff Nichols came across a book of photography by Danny Lyon called The Bikeriders, which showed a group of greased... Read More
Reviews
‘The Caine Mutiny Court-Martial’ Review: William Friedkin’s Final Film is Supported by a Sensational Company of Actors | Venice
It’s not even a month since we lost the great William Friedkin. He made history as one of the leading directors of the ‘New Hollywood’,... Read More
‘Aggro Dr1ft’ Review: Harmony Korine’s Latest is a Sexist, Crude Grand Theft Auto-style Knockoff | Venice
Harmony Korine’s Aggro Dr1ft is best described as a perverted Grand Theft Auto-style fantasy. It’s an experimental film to its core, ignoring almost all narrative... Read More
‘The Killer’ Review: Stop Me If You Think You’ve Heard This One Before | Venice
That The Killer is David Fincher’s first film with a runtime under two hours in more than twenty years is a telling sign of its... Read More
‘The Beast’ Review: Léa Seydoux and George MacKay Cross Space and Time in Bonello’s Genre-Bending Romance | Venice
Bertrand Bonello has proven to be one of France’s most interesting, unconventional and sometimes idiosyncratic directors. He shocked the film world with Nocturama and Saint... Read More
‘Maestro’ Review: Bradley Cooper’s Sophomore Film Hits All the Right Notes | Venice
Yet another complex relationship takes center stage in Bradley Cooper’s follow-up to A Star Is Born. The actor-director premiered his sophomore feature in Venice’s Official... Read More
‘Rustin’ Review: Colman Domingo Brings the Civil Rights Legend to Life | Telluride
Most people in the United States know of the 1964 Civil Rights Act that outlawed discrimination based on race, color, religion, sex, and national origin.... Read More
‘The Holdovers’ Review: Alexander Payne’s Emotional, Charismatic Comedy is his Best Film in Years | Telluride
From the opening title cards and credits of Alexander Payne’s latest film, The Holdovers, he instantly transports us back in time by presenting a film... Read More
‘Poor Things’ Review: Emma Stone is Unhinged in This Raunchy Knockout from Yorgos Lanthimos | Venice
‘Poor Things’ Review: Emma Stone is Unhinged in This Raunchy Knockout from Yorgos Lanthimos | Venice
Yorgos Lanthimos is back with a whole new wonderful and wacky creation. Poor Things is a twisted and spellbinding coming-of-age tale that sees Emma Stone... Read More
‘The Wonderful Story of Henry Sugar’ Review: Wes Anderson’s First of Four New Adaptations of Roald Dahl Shorts Heralds a New Era for the Filmmaker | Venice
The first of four Roald Dahl short stories adapted by Wes Anderson as part of Netflix’s reported half-a-billion-dollar deal with the Dahl Estate, The Wonderful... Read More
Interview: ‘Gladiator II’ Cinematographer John Mathieson on Reuniting with Ridley Scott and Continuing the Legacy and Lore 
Interview: Alan Menken and Glenn Slater on Creating the Songs and Score for ‘Spellbound’ and the “Perfectly” Cast Rachel Zegler 
2025 Oscar Predictions: BEST PICTURE and BEST DIRECTOR (November) 
Interview: John Lithgow on ‘Conclave’ Being a Career Highlight, Oscar Buzz and Comparing Director Edward Berger to David Lean [VIDEO]