At the 51st Telluride Film Festival, Saoirse Ronan became one of the youngest actors to be recognized with the prestigious Silver Medallion, honoring her versatile... Read More
Reviews
Pierre (Vincent Lindon) is a fifty-something single father who works night shifts for the SNCF (the French railway) as a mechanic/engineer and spends his free... Read More
Luca Guadagnino’s Queer, adapted from William S. Burroughs’ novel, opens with a nostalgic nod to Call Me By Your Name, using a splashy blue font... Read More
Five years after Joker (2019) premiered at the Venice Film Festival, where it was awarded the top prize, director Todd Phillips and star Joaquin Phoenix... Read More
Stories observing the lives of the wealthy elite are ubiquitous in modern cinema. Whether the film is as daring and precise as Parasite or as... Read More
Malcolm Washington’s directorial debut, The Piano Lesson, doesn’t start out like the original source material from stage by the legendary playwright August Wilson. Instead of... Read More
We often associate the term dystopia with films or novels, fictional stories detached to some degree from our reality, but perhaps we already reside within... Read More
French auteur Jacques Audiard’s Emilia Pérez took the Cannes Film Festival by storm, winning the Jury Prize as well as the Best Actress award, shared... Read More
From the moment Jason Reitman’s Saturday Night begins, the clock is ticking as it leads up to the first ever taping of Saturday Night Live,... Read More
When we’re asked what scares us the most, one of the answers we’re probably going to give is “I don’t want anything to happen to... Read More

‘The Outrun’ Review: Saoirse Ronan is Towering in Sensitive Yet Uneven Recovery Drama | Telluride
‘The Quiet Son (Jouer avec le feu)’ Review: We’ve Seen This Vincent Lindon-led French Family Drama Before | Venice
‘Queer’ Review: Daniel Craig is Perfect and Drew Starkey is Revelatory in Luca Guadagnino’s Gay Chiaroscuro of Dreams and Desperation | Venice
‘Joker: Folie à Deux’ Review: Joaquin Phoenix and Lady Gaga Sing and Dance a Deranged Duet of Musical Mischief | Venice
‘The End’ Review: It’s An End of the World Musical As We Know It (and It’s Not Fine) | Telluride
‘The Piano Lesson’ Review: Malcolm Washington’s Promising Debut Feature Makes Him One to Watch Out For | Telluride
‘2073’ Review: Asif Kapadia Conjures a Taut Sci-Fi Thriller in a Post-Apocalyptic World | Venice
‘Emilia Pérez’ Review: Women on the Verge of a Nervous Breakdance | Telluride
‘Saturday Night’ Review: Cocaine, Mom Jokes and a Race Against the Clock Punctuate Jason Reitman’s Tribute to the First Night of ‘SNL’ | Telluride
‘I’m Still Here’ Review: Walter Salles Avoids Manipulation to Tell a Moving Story of Family Trauma in the Face of Political Strife | Venice
How Judith Light Psychs Us Out in ‘The Terror: Devil in Silver’ and the Secret to Her Long-lasting Career [VIDEO INTERVIEW]
2027 Oscar Predictions: BEST ACTRESS (May)
Colman Domingo to Receive Variety Creative Conscience Award at 50th San Francisco International LGBTQ+ Film Festival (Frameline50)
Interview: Ildikó Enyedi on Working with Tony Leung and Léa Seydoux and Her Triptych Storytelling in ‘Silent Friend’